| Record ID | marc_uic/UIC_2022.mrc:196284218:4820 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:196284218:4820?format=raw |
LEADER: 04820cam a2200757 i 4500
001 9937139912005897
005 20211008041809.0
008 740806s1974 nyua b 000 0 eng
010 $a 74016187
016 7 $a001830559$2Uk
020 $a0870990985
020 $a9780870990984
020 $a0870992287
020 $a9780870992285
035 $a(OCoLC)01009573$z(OCoLC)59700293$z(OCoLC)1008333044$z(OCoLC)1112836992$z(OCoLC)1154243606$z(OCoLC)1193468056$z(OCoLC)1201009704$z(OCoLC)1201639722$z(OCoLC)1201846616$z(OCoLC)1201975685$z(OCoLC)1202012638
035 $z(OCoLC)59700293$z(OCoLC)1008333044$z(OCoLC)1112836992$z(OCoLC)1154243606$z(OCoLC)1193468056$z(OCoLC)1201009704$z(OCoLC)1201639722$z(OCoLC)1201846616$z(OCoLC)1201975685$z(OCoLC)1202012638
035 $a(OCoLC)ocm01009573
035 $a(EXLNZ-01CARLI_NETWORK)991006141829705816
040 $aDLC$beng$cDLC$dEL$$dMUQ$dBTCTA$dHEBIS$dUKMGB$dVVR$dOCLCO$dGBVCP$dDEBSZ$dOCLCA$dOCLCF$dOCLCQ$dOCLCO$dDDD$dOCLCA$dOCLCQ$dCSJ$dOCLCO$dOCLCA$dOCLCQ$dMIH$dOCLCQ$dTYC$dOCLCQ$dBGU$dOCLCQ$dFWR$dDCT$dOCLCQ$dCPO$dVVB$dZQC$dZLM$dOCLCO$dPSC
043 $ae-fr---$aa-ja---
049 $aUIUU
050 00 $aNE647.6.I4$bI93
080 $a761(44)
082 00 $a769/.944
086 0 $aC 3.223/11:970/89-97
100 1 $aIves, Colta Feller,$eauthor.
245 14 $aThe great wave :$bthe influence of Japanese woodcuts on French prints /$cColta Feller Ives.
264 1 $a[New York] :$bMetropolitan Museum of Art,$c[1974]
264 2 $aDistributed by New York Graphic Society.
264 4 $c©1974
300 $a112 pages :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 111-112).
505 0 $aChronology of related events -- Impressionism and Ukiyo-e -- Edouard Manet -- Hilaire Germain Edgar Degas -- Mary Cassatt -- Pierre Bonnard -- Edouard Vuillard -- Henri de Toulouse-Lautrec -- Paul Gauguin.
520 $a"With Admiral Perry's penetration of isolationist Japan in 1854, the current of Japanese trade flowed west again, bearing, among other orientalia, the colored woodcuts of Utamaro, Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of the Japanese prints were French impressionists and Nabis, who found in the Ukiyo-e woodcuts new ways to treat their own prints: with bolder, flatter forms; asymmetrical compositions; new colors, startling in their range of boldness to subtlety; and an altered, often elevated, viewpoint. The typical Japanese subject matter--frank, close-range glimpses of ordinary people and familiar events--set Degas, Lautrec, and others off to draw the back rooms and backstages of Paris, its boudoirs and brothels, its crowds and the cafés and dance halls. Colta Feller Ives, Associate Curator of Prints at The Metropolitan Museum of Art, recounts the phenomenal 'cult of Japan' in late nineteenth-century France and reveals its particular impacts on the etchings, lithographs, woodcuts, and aquatints of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. The Great Wave illustrates the French Prints side by side with the Ukiyo-e cuts that inspired them and also contains a chronology of related events, notes, and a selected bibliography." -- Provided by publisher
650 0 $aPrints, French.
650 0 $aPrints, French$xJapanese influences.
650 0 $aImpressionism (Art)$zFrance.
650 0 $aUkiyoe.
650 6 $aEstampes françaises.
650 6 $aEstampes françaises$xInfluence japonaise.
650 6 $aImpressionnisme (Art)$zFrance.
650 6 $aUkiyo-e.
650 7 $aImpressionism (Art)$2fast$0(OCoLC)fst00968249
650 7 $aPrints, French.$2fast$0(OCoLC)fst01076904
650 7 $aPrints, French$xJapanese influences.$2fast$0(OCoLC)fst01076905
650 7 $aUkiyoe.$2fast$0(OCoLC)fst01160404
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
650 7 $aHolzschnitt$2gnd
650 7 $aJaponismus$2gnd
650 7 $aDruckgrafik$2gnd
651 7 $aFrankreich$2gnd
651 7 $aNew York <NY, 1975>$2swd
651 7 $aJapan.$2swd
653 0 $aImpressionism (Art)$aFrance
653 0 $aPrints, French
653 0 $aPrints, French$aJapanese influences
653 0 $aUkiyoe
710 2 $aMetropolitan Museum of Art (New York, N.Y.)
776 08 $iOnline version:$aIves, Colta Feller.$tGreat wave: the influence of Japanese woodcuts on French prints.$d[New York] Metropolitan Museum of Art; distributed by New York Graphic Society [1974]$w(OCoLC)594998241
938 $aBaker and Taylor$bBTCP$n74016187 //r85
945 $aWorldCat record variable field(s) change: 245$b10/08/2021
959 $a(UICdb)371399$9LOCAL
994 $a92$bUIU