| Record ID | marc_uic/UIC_2022.mrc:15892060:3357 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:15892060:3357?format=raw |
LEADER: 03357cam a2200601Ia 4500
001 99289189212005897
005 20200413171935.0
008 110112s2011 enka bc 001 0deng d
020 $a9780905807256 (softcover ed.)
020 $a9780856677014 (hardback ed.)
020 $a0856677019 (hardback ed.)
020 $a0905807251 (softcover ed.)
024 $a99944869562
035 $a5374841-01carli_network
035 $a(OCoLC)ocn696727446
035 $a(UICdb)2891892
035 $a(EXLNZ-01CARLI_NETWORK)991031530849705816
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049 $aIAYA$lBOOK$p38198326290655
050 4 $aND497.E8$bA4 2011
050 4 $aNX543-547.6
082 04 $a700.941
100 1 $aEtty, William,$d1787-1849.
245 10 $aWilliam Etty :$bart & controversy /$cedited by Sarah Burnage, Mark Hallett and Laura Turner.
246 30 $aArt & controversy
260 $aLondon :$bPhilip Wilson Publishers ;$a[York, England] :$bYork Museums Trust,$cc2011.
300 $a256 p. :$bcol. ill. ;$c28 cm.
500 $aPublished on the occasion of an exhibition held at the York Art Gallery, York, Eng., June 25, 2011-Jan. 22, 2012.
504 $aIncludes bibliographical references (p. 250) and index.
505 00 $tPainting the nude and 'inflicting divine vengeance on the wicked' /$rSarah Burnage --$t'Something too academical': the problem with Etty /$rMartin Myrone --$tEtty and the masters /$rRichard Green --$tIntimacy and distance: physicality, race and paint in Etty's 'The wrestlers' /$rSarah Victoria Turner --$tQueer and now: on Etty's 'Autobiography' (1849) and 'Male nude with arms up-stretched' (c. 1830) /$rJason Edwards --$tHistory painting and the critics --$tEtty and the masters --$tThe life class --$tPortraiture.
520 8 $aSummary: William Etty, R.A. (1787-1849) was one of the most prolific and successful British artists working in the first half of the nineteenth century. He was celebrated for his skills as a colourist and ability to emulate the art of the old masters. Etty focused almost exclusively on the nude and contemporaries were quick to acknowledge the artist's ability to translate the studies he made in the life-class into large-scale, highly imaginative historical compositions. At the same time, he faced repeated critical condemnation for what was seen as his preoccupation with 'pulpy' flesh and his perverse interest in the female nude. Exhibition: York Art Gallery, from 25.06.2011 to 22.01.2012.
600 10 $aEtty, William,$d1787-1849$vExhibitions.
600 14 $aEtty, William,$d1787-1849.
700 1 $aBurnage, Sarah.
700 1 $aHallett, Mark,$d1965-
700 1 $aTurner, Laura.
710 2 $aYork City Art Gallery.
852 0 $bMAIN
915 $aPromptCat
938 $aErasmus Boekhandel$bERAA$nNTS0000117768
938 $aYBP Library Services$bYANK$n100558433
938 $aCoutts Information Services$bCOUT$n16888347
938 $aBlackwell Book Service$bBBUS$n100558433
959 $a(UICdb)2891892
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