| Record ID | marc_uic/UIC_2022.mrc:131042212:4858 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:131042212:4858?format=raw |
LEADER: 04858cam a22005171 4500
001 994783012005897
005 20220204043034.0
008 751125s1959 sz ab b 000 0 eng
010 $a 59012317
016 7 $a013876542$2Uk
016 7 $a014363117$2Uk
020 $a0302000526
020 $a9780302000526
024 8 $aBX59012317
035 $a(OCoLC)00487616$z(OCoLC)5121827$z(OCoLC)500602538$z(OCoLC)669123595$z(OCoLC)844765571$z(OCoLC)867777198$z(OCoLC)979188060$z(OCoLC)1000686714$z(OCoLC)1008029372$z(OCoLC)1016668031$z(OCoLC)1057563166$z(OCoLC)1154241961$z(OCoLC)1167261336
035 $z(OCoLC)5121827$z(OCoLC)500602538$z(OCoLC)669123595$z(OCoLC)844765571$z(OCoLC)867777198$z(OCoLC)979188060$z(OCoLC)1000686714$z(OCoLC)1008029372$z(OCoLC)1016668031$z(OCoLC)1057563166$z(OCoLC)1154241961$z(OCoLC)1167261336
035 $a(OCoLC)ocm00487616
035 $a(EXLNZ-01CARLI_NETWORK)991034658059705816
040 $aDLC$beng$cCMC$dDLC$dWY@$dNIALS$dOCLCQ$dMCN$dUKMGB$dORX$dEUM$dOCLCF$dOCLCQ$dUKDEL$dOCLCQ$dD8D$dAVA$dDHA$dSNN$dPEX$dOCLCQ$dUKUOY$dOCLCQ$dDCT$dIL4J6$dJTB$dOCLCO$dLCY
043 $ae-gr---
049 $aUIUU
050 00 $aND110$b.R6
080 $a75(38)
082 00 $a759.938
100 1 $aRobertson, Martin$q(Charles Martin)
245 10 $aGreek painting.
260 $a[Geneva]$bSkira$c[1959]
300 $a193 pages$bmounted color illustrations, map$c29 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Great centuries of painting
506 $aSeries: the great centuries of painting.
504 $aIncludes bibliographical references.
520 $aOne hundred reproductions in full color.
505 0 $aColour in Greek art -- Loss of monumental painting -- Vase-painting and its relation to painting in other media -- The 'classical moment' -- tradition in ancient writers about Greek painters and their contributions to development -- Echoes of these in vase-painting -- Scale of illustrations -- The painting of bronze-age civilization -- The Bronze age -- Character of Cretan civilization and art -- Painted pottery -- Wall-painting -- Relation of Crete and mainland Greece -- Cretan Sarcophagus with painted scenes -- Mainland wall-painting -- Tendency towards formalism -- Collapse of bronze-age civilization -- The beginnings of Greek painting -- Dark ages -- Revival of figure-work on painted pottery -- The 'geometric' style -- Oriental influence -- Revival of wall-painting echoed on vases -- Painted Metopes -- Archaic painting -- 'Black-figure' technique and separation of vase painters' style from that of other painters -- Rivalry of Corinthian and Athenian potteries ending in supremacy of Athens -- Masters of Athenian black-figure -- Sixth century vase-painting outside Athens -- Remains of panel-painting -- Late Archaic painting -- 'Red-figure' technique -- Relation to painting in other media and to black-figure -- Changing spirit at turn of sixth and fifth centuries -- Relation of sculpture, painting and vase-painting -- Beginnings of concern with third dimension -- Red-figure pioneers of new style; their pupils -- 'White-ground technique' of vase-painting and rapprochement with painting in other media -- The Classical revolution -- Change of spirit manifest in white-ground and red-figure vase-painting -- Appropriation of third dimension in wall-painting evidenced in literary tradition -- Echoes of spatial innovations in red-figure and white-ground vase-painting -- Decline of red-figure -- White ground masterpieces (cups) -- Classical painting -- White-ground funeral 'lekythoi' of Periclean and later Athens -- Relation to lost painting -- Freedom of handling -- Painted tombstones -- Chiaroscuro -- Cessation of white-ground and vase painting -- Red-figure in south Italy -- Burlesque and stage influence -- "Gnathia" technique of vase-painting, and echoes of developments in chiaroscuro and perspective -- Evidenced by literary tradition -- Hellenistic Painting -- Mastery of chiaroscuro -- The 'Alexander Mosaic' -- History of mosaic technique -- Mosaics from Pella -- Painted tombstones and Tomb-chambers -- Polychrome vase-paintings from Sicily and their relation to Roman wall-paintings -- Perspective, freedom of handling and atmospheric effects -- Roman wall-painting and lost Greek originals.
650 0 $aPainting, Greek.
650 7 $aPainting, Greek.$2fast$0(OCoLC)fst01050862
650 7 $aPainting, Greek.$2nli
650 7 $aVase-painting, Greek.$2nli
651 7 $aGreece$xAntiquities.$2nli
694 $aMies van der Rohe Collection.$9LOCAL$5ICIU
776 08 $iOnline version:$aRobertson, Martin.$tGreek painting.$d[Geneva] Skira [1959]$w(OCoLC)648368879
830 0 $aGreat centuries of painting.
945 $aLBD data change$b02/04/2022
994 $a92$bUIU