| Record ID | marc_uic/UIC_2022.mrc:110830493:1315 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:110830493:1315?format=raw |
LEADER: 01315cam a2200277 4500
001 9977721812005897
005 20200412005510.0
008 741028s1972 pau 00000 eng u
035 $a8293088-01carli_network
035 $a(OCoLC)ocm01058946
035 $9ALG-7657
035 $a(GSUdb)168813
035 $a(EXLNZ-01CARLI_NETWORK)991022876059705816
040 $cAKR$dIAF$dGSUdb
082 $a792
090 $aPN1657$b.G7 1972$9LOCAL
100 20 $aGranville-Barker, Harley,$d1877-1946.
245 14 $aThe study of drama,$cby Harley Granville-Barker; a lecture given at Cambridge on 2 August 1934, with notes subsequently added. Cambridge [Eng.] The University Press, 1934.
260 0 $a[Folcroft, Pa.]$bFolcroft Library Editions,$c1972.
300 $a3 p. l., 92, [2] p.$c17 cm.
440 4 $aThe Cambridge miscellany, XVI.
505 0 $aThe study of drama.--Notes: Charles Brookfield. Actor versus dramatist. The post-Robertson generation. The actor's calling to-day. American education. Freudianism in literature. The ideal producer. The intrusive dramatist. The business man and the drama. Monotony in variety. The Sunday entertainments bill. A dramatic Mecca.
650 0 $aDrama$xHistory and criticism
650 0 $aTheater$xHistory
959 $a(GSUdb)168813
959 $a(UICdb)777218$9LOCAL