| Record ID | marc_records_scriblio_net/part26.dat:211365756:1600 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part26.dat:211365756:1600?format=raw |
LEADER: 01600cam 2200265 a 4500
001 97163602
003 DLC
005 19970827092423.5
008 970424s1997 enk b 001 0 eng d
010 $a 97163602
015 $aGB97-29768
020 $a0198159412
035 $a(OCoLC)36796915
040 $aIDeKN$cIDeKN$dUk$dDLC
042 $alccopycat
050 00 $aPN1995$b.G6887 1997
082 00 $a791.43/01/9$221
100 1 $aGrodal, Torben Kragh.
245 10 $aMoving pictures :$ba new theory of film genres, feelings, and cognition /$cTorben Grodal.
260 $aOxford :$bClarendon Press ;$aNew York :$bOxford University Press,$c1997.
300 $aix, 306 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. [285]-296) and index.
505 8 $a Pt. 1. Visual fiction as embodied mental flow. Chpt. 1. Fiction, symbolic simulation, and reality -- chpt. 2. Cognition, emotion, brain-processes, and narration -- chpt. 3. Associative networks, focus of attention, and analogue communication -- pt. 2. Narratives as basic mental models. chpt. 4. Cognitive identification and empathy -- chpt. 5. Intentions, will, goal, consciousness, and humanness -- chpt. 6. Subjectivity, causaility, and time -- pt. 3. A typology of genres and emotions. chpt. 7. A typology of genres of fiction -- pt. 4. Laughter, distance, horror, and tears. chpt. 8. Comic fictions -- chpt. 9. Metaframes as emotion-filters and brackets -- chpt. 10. Crime and horror fiction -- chpt. 11. Melodrama, lyrics, and autonomic response.
650 0 $aMotion pictures$xPsychological aspects.
650 0 $aFilm genres.