MARC Record from Scriblio

LEADER: 01552pam 2200277 a 4500
001 97021045
003 DLC
005 20041202134954.0
008 970516s1997 paua b 001 0 eng
010 $a 97021045
020 $a082294040X (cloth : acid-free paper)
020 $a0822956454 (pbk. : acid-free paper)
040 $aDLC$cDLC$dDLC
043 $anwcu---
050 00 $aML3486.C8$bM66 1997
082 00 $a781.63/089/9607291$221
100 1 $aMoore, Robin,$d1964-
245 10 $aNationalizing blackness :$bafrocubanismo and artistic revolution in Havana, 1920-1940 /$cRobin Moore.
260 $aPittsburgh, Pa. :$bUniversity of Pittsburgh Press,$cc1997.
300 $axii, 320 p. :$bill. ;$c25 cm.
440 0 $aPitt Latin American series
504 $aIncludes bibliographical references (p. 289-312) and index.
520 1 $a"An examination of Cuban society through the music of the 1920s-30s when it began to embrace Afro-Cuban culture. Traces how the African element of Cuban society became associated with national identity. Among topics examined are carnival bands, son music, cabaret rumba, and blackface theater shows. The highly documented volume is enhanced by the inclusion of relevant legislation concerning music, and a listing of sextets in Havana between 1920-45 by barrio"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
650 0 $aPopular music$zCuba$zHavana$xAfrican influences.
650 0 $aBlacks$zCuba$zHavana$xMusic$xHistory and criticism.
651 0 $aHavana (Cuba)$xSocial conditions$y20th century.