MARC Record from Scriblio

LEADER: 01834cam 22002538a 4500
001 2005030639
003 DLC
005 20051021152409.0
008 051020s2005 kyu b 001 0 eng
010 $a 2005030639
020 $a9780813123776 (hardcover : alk. paper)
020 $a0813123771 (hardcover : alk. paper)
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1995.9.F54$bP55 2005
082 00 $a791.43/6552$222
245 04 $aThe philosophy of film noir /$cedited by Mark T. Conard with a foreword by Robert Porfirio.
260 $aLexington :$bUniversity Press of Kentucky,$cc2005.
263 $a0512
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aNietzsche and the meaning and definition of noir / Mark T. Conrad -- A darker shade: realism in neo-noir / Jason Holt -- Moral clarity and practical reason in film noir / Aeon J. Skoble -- Cherchez la femme fatale: the mother of film noir / Read Mercer Schuchardt -- From Sherlock Holmes to the hard-boiled detective in film noir / Jerold J. Abrams -- Film noir and the meaning of life / Steven M. Sanders -- The horizon of disenchantment: film noir, Camus, and the vicissitudes of descent / Alan Woolfolk -- Symbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction / Mark T. Conard -- Film noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour / Paul A. Cantor -- Knowledge, morality, and tragedy in The killers and Out of the past / Ian Jarvie -- Moral man in the dark city: film noir, the postwar religious revival, and The accused / R. Barton Palmer -- On reason and passion in The Maltese falcon / Deborah Knight -- Ride the pink horse: money, mischance, murder, and the monads of film noir / Alan Silver.
650 0 $aFilm noir$xHistory and criticism.
700 1 $aConard, Mark T.,$d1965-