MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04007cam a2200637Ii 4500
001 ocn967559903
003 OCoLC
005 20180129125611.0
008 170104t20172017gw a b 000 0 eng d
019 $a967502746$a1000599853
020 $a3836555115
020 $a9783836555111
035 $a(OCoLC)967559903$z(OCoLC)967502746$z(OCoLC)1000599853
037 $bTaschen America Llc, C/O Ingram Pub Services 1 Ingram Blvd, LA Vergne, TN, USA, 37086$nSAN 631-8630
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049 $aSFRA
050 4 $aQE714.2$b.L47 2017
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100 1 $aLescaze, Zoë,$eauthor.
245 10 $aPaleoart :$bvisions of the prehistoric past /$cZoë Lescaze ; with a preface by Walton Ford ; directed and produced by Benedikt Taschen.
264 1 $aKöln :$bTaschen,$c[2017]
264 4 $c©2017
300 $a289 pages :$billustrations (chiefly color) ;$c39 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 288-289).
505 0 $aPreface: Twofold time machine -- Introduction: The art of raising the dead -- Cataclysm and conquest -- Paleoart to the people -- The bone wars -- Of ancient wings and art nouveau -- Innocence and experience -- The savage brilliance of Zdeněk Burian -- The return of English paleoart -- Mammoths and monsters of Moscow -- Conclusion: Close to the bone.
520 $a"It was 1830 when English scientist Henry De la Beche painted the first piece of paleoart, a dazzling, deliciously macabre vision of prehistoric reptiles battling underwater dinosaurs, woolly mammoths, cavemen, and other creatures, shaping our understanding of the primeval past through their exhilirating images. In this unprededented new book, writer Zoë Lescaze and artist Walton Ford present the astonishing history of peleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy. The collection provides an in-depth look at this neglected niche of art history and shows how the artists charged with imagining extinct creatures often projected their own asthetic whims onto prehistory, rendering the primordial past with dashes of Romanticism, Impressionism, Fauvism, and Art Nouveau, among other influences." --$cBook jacket.
650 0 $aPaleoart$xHistory.
650 0 $aPaleoart$vPictorial works.
650 0 $aPrehistoric animals in art$xHistory.
650 0 $aPrehistoric animals in art$vPictorial works.
650 0 $aPrehistoric peoples in art$xHistory.
650 0 $aPrehistoric peoples in art$vPictorial works.
650 0 $aFossils in art$xHistory.
650 0 $aFossils in art$vPictorial works.
650 0 $aAnimal painters.
650 0 $aNatural history illustrators.
650 0 $aPaleontological illustration.
700 1 $aFord, Walton,$d1960-$ewriter of preface.
700 1 $aTaschen, Benedikt,$eeditor.
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938 $aBaker and Taylor$bBTCP$nBK0020055424
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