MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05092cam a2200721Ii 4500
001 ocn969982155
003 OCoLC
005 20170919093843.0
008 170120t20172017meua bc 001 0 eng d
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019 $a959803932
020 $a9780300226218$q(paperback)
020 $a0300226217$q(paperback)
029 1 $aGBVCP$b878794751
035 $a(OCoLC)969982155$z(OCoLC)959803932
037 $bYale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
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049 $aSFRA
050 4 $aNB212$b.N493 2017
082 04 $a709.04
092 $a709.04$bN42011
245 02 $aA new American sculpture, 1914-1945 :$bLachaise, Laurent, Nadelman, and Zorach /$cedited by Andrew J. Eschelbacher ; essays by Andrew J. Eschelbacher, Michaela R. Haffner, Ronald Harvey, Shirley Reece-Hughes, Roberta K. Tarbell.
246 30 $aLachaise, Laurent, Nadelman, and Zorach
264 1 $aPortland, Maine :$bPortland Museum of Art ;$aFort Worth, Texas :$bAmon Carter Museum of American Art,$c[2017]
264 2 $aNew Haven :$bYale University Press
300 $axiii, 185 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
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500 $aCatalog of an exhibition held at Portland Museum of Art, Portland, Maine, May 26-September 8, 2017; Memphis Brooks Museum of Art, Memphis, Tennessee, October 14, 2017-January 7, 2018; and at Amon Carter Museum of American Art, Fort Worth, Texas, February 17-May 13, 2018.
504 $aIncludes bibliographical references (pages 176-177) and index.
505 00 $tParis and the birth of a new American sculpture /$rAndrew J. Eschelbacher --$tEmbracing American folk /$rShirley Reece-Hughes --$tModernism becomes mainstream: the increasing acceptance of the new American sculptors /$rRoberta K. Tarbell --$tOn the surface: innovations of material and technique /$rAndrew J. Eschelbacher and Ronald Harvey.
520 8 $aThis is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Exhibition: Portland Museum of Art, Portland, USA (26.05-03.09.2017); Amon Carter Museum of American Art, Fort Worth, USA (17.02-13.05.2018).
600 10 $aLachaise, Gaston,$d1882-1935$vExhibitions.
600 10 $aLaurent, Robert,$d1890-1970$vExhibitions.
600 10 $aNadelman, Elie,$d1882-1946$vExhibitions.
600 10 $aZorach, William,$d1889-1966$vExhibitions.
650 0 $aSculpture, American$y20th century$vExhibitions.
700 1 $aEschelbacher, Andrew J.,$eeditor,$ewriter of supplementary textual content.
700 1 $aHaffner, Michaela R.$q(Michaela Rachel),$ewriter of supplementary textual content.
700 1 $aHarvey, Ronald$q(Ronald Stephen),$ewriter of supplementary textual content.
700 1 $aReece-Hughes, Shirley,$ewriter of supplementary textual content.
700 1 $aTarbell, Roberta K.,$ewriter of supplementary textual content.
700 12 $aLachaise, Gaston,$d1882-1935.$tSculptures.$kSelections.
700 12 $aLaurent, Robert,$d1890-1970.$tSculptures.$kSelections.
700 12 $aNadelman, Elie,$d1882-1946.$tSculptures.$kSelections.
700 12 $aZorach, William,$d1889-1966.$tWorks.$kSelections.
710 2 $aPortland Museum of Art,$eorganizer,$ehost institution.
710 2 $aMemphis Brooks Museum of Art,$ehost institution.
710 2 $aAmon Carter Museum of American Art,$eorganizer,$ehost institution.
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