MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 03013cam a2200517Ii 4500
001 ocn982600931
003 OCoLC
005 20171219142451.0
008 170417s2017 nyua b 001 0 eng d
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020 $a1479882089
020 $a9781479882083
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020 $a9781479829170
035 $a(OCoLC)982600931$z(OCoLC)982402976$z(OCoLC)982410378$z(OCoLC)982593423
037 $bNew York Univ Pr, C/O Ingram Pub Services 1 Ingram Blvd, LA Vergne, TN, USA, 37086$nSAN 631-8630
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082 04 $a265.62$223
090 $aBV845$b.G76 2017
092 $a700.45$bG891a
100 1 $aGrobe, Christophár,$eauthor.
245 14 $aThe art of confession :$bthe performance of self from Robert Lowell to reality tv /$cChrisopher Grobe.
264 1 $aNew York :$bNew York University Press,$c[2017]
300 $axv, 303 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 0 $aThe breath of a poem -- Self-consciousness raising -- Just talk -- Broadcast yourself.
520 $a"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --$cP.[4] of cover.
650 0 $aPoetry and the arts.
650 0 $aSpoken word poetry.
650 0 $aPerformance art.
650 0 $aConfession stories$xSocial aspects.
650 0 $aReality television programs$xSocial aspects.
907 $a.b34464529$b11-26-18$c09-27-17
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