MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04416cam a2200625Ii 4500
001 on1005726191
003 OCoLC
005 20181126142840.0
008 171006t20182018enka bc 001 0 eng d
020 $a9781909400887$q(hardcover)
020 $a1909400882$q(hardcover)
035 $a(OCoLC)1005726191
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050 4 $aND2920$b.D43 2018
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100 1 $aDe Hamel, Christopher,$d1950-$eauthor.
245 14 $aThe medieval world at our fingertips :$bmanuscript illuminations from the collection of Sandra Hindman /$cChristopher de Hamel ; introduction by James H. Marrow ; catalogue by Matthew J. Westerby.
264 1 $aLondon :$bHarvey Miller Publishers,$c2018.
264 4 $c©2018
300 $a264 pages :$billustrations (chiefly color) ;$c29 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $a[Studies in medieval and early Renaissance art history]
500 $aPublished on the occasion of the exhibition held at the Art Institute of Chicago, January 27-May 28, 2018.
500 $aSeries information from publisher's website.
520 8 $a"This fascinating book offers a most engaging and fresh glimpse into the world of the Middle Ages. It accompanies an exhibit of some thirty diverse illuminated manuscript pages, and in a series of short descriptive essays on each of the miniatures the reader is taken on a remarkable journey from the twelfth to the sixteenth century, from which we can learn not only a great deal about the art of illumination, but also about the monasteries and cathedrals of Europe and such prominent medieval centres as the cities of London, Florence, Paris and Nuremberg. Moreover, Christopher de Hamel's wide knowledge and vivid reflections provide the historical and cultural context that help us to fully understand and truly appreciate these special works of art. The illuminated pages presented here are part of the impressive and broad-ranging collection assembled over twenty-five years by the medieval scholar and long-time Chicagoan Sandra Hindman. They represent both biblical and secular subjects and include the work of master illuminators such as Maestro Daddesco, Giovanni di Paolo and the Master of Mary of Burgundy. In addition to the colour reproductions of all the exhibited pages, the essays are sumptously illustrated with further related and comparative images, many of which are drawn from the collections of the Chicago Institute of Art itself. The Introduction to the volume is by the well-known medievalist James Marrow, and there is also a Catalogue by Matthew Westerby giving full details, descriptions, provenance and bibliography of the exhibited illuminations."--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
600 10 $aHindman, Sandra,$d1944-$xArt collections$vExhibitions.
650 0 $aManuscripts$xPrivate collections$zUnited States$vExhibitions.
650 0 $aIllumination of books and manuscripts, Medieval$vExhibitions.
650 0 $aIllumination of books and manuscripts, Renaissance$vExhibitions.
650 0 $aManuscripts, Medieval$vExhibitions.
650 0 $aManuscripts, Renaissance$vExhibitions.
700 1 $aMarrow, James H.,$ewriter of introduction.
700 1 $aWesterby, Matthew J.,$eauthor.
700 1 $aHindman, Sandra,$d1944-
710 2 $aArt Institute of Chicago,$ehost institution.
830 0 $aStudies in medieval and early Renaissance art history.
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938 $aYBP Library Services$bYANK$n14923296
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