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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:110224276:3794
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:110224276:3794?format=raw

LEADER: 03794cam a2200565 i 4500
001 ocn981116971
003 OCoLC
005 20180417110231.0
008 170518s2018 inua b 001 0deng c
010 $a2017024199
020 $a9780253031549$q(cloth ;$qalk. paper)
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020 $a0253031559$q(pbk. ;$qalk. paper)
035 $a(OCoLC)981116971
037 $bIndiana Univ Pr, C/O Ingram Pub Services 1 Ingram Blvd, LA Vergne, TN, USA, 37086$nSAN 631-8630
040 $aICU/DLC$beng$erda$cDLC$dDLC$dBTCTA$dYDX$dBDX$dOCLCF$dCGU$dNZAUC$dRES$dVP@$dHHO$dSFR$dUtOrBLW
042 $apcc
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049 $aSFRA
050 00 $aML420.P28$bE39 2018
082 00 $a782.421642092$223
092 $a780.82$bZEd971d
100 1 $aEdwards, Leigh H.,$d1970-$eauthor.
245 10 $aDolly Parton, gender, and country music /$cLeigh H. Edwards.
264 1 $aBloomington :$bIndiana University Press,$c2018.
300 $axii, 265 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 237-249) and index.
505 0 $aIntroduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West" -- Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood.
520 $a"Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes--the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously real and fake, she offers new perspectives on country music's claims of authenticity."--$cProvided by publisher.
600 10 $aParton, Dolly.
650 0 $aWomen country musicians$zUnited States.
650 0 $aFeminism and music.
650 0 $aWomen in music.
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938 $aBaker and Taylor$bBTCP$nBK0020564240
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