MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04200cam a2200601 i 4500
001 ocn958796226
003 OCoLC
005 20180417110229.0
008 170216t20172017inua bc s001 0 eng
010 $a2017004816
020 $a9780253025876$q(hardcover)
020 $a0253025877$q(hardcover)
029 1 $aNLGGC$b416699960
035 $a(OCoLC)958796226
037 $bIndiana Univ Pr, C/O Ingram Pub Services 1 Ingram Blvd, LA Vergne, TN, USA, 37086$nSAN 631-8630
040 $aDLC$beng$erda$cDLC$dBTCTA$dERASA$dBDX$dOCLCO$dXBE$dOCLCQ$dOCLCA$dYDX$dOCLCO$dNLGGC$dUBY$dOCLCO$dOCLCA$dSFR$dUtOrBLW
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050 00 $aNE2054.5.R4$bA4 2017
082 00 $a759.9492$223
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100 1 $aRosenberg, Charles M.,$eauthor.
245 10 $aRembrandt's religious prints :$bthe Feddersen collection at the Snite Museum of Art /$cCharles M. Rosenberg.
264 1 $aBloomington, Indiana :$bIndiana University Press, with the Snite Museum of Art, University of Notre Dame,$c[2017]
264 4 $c©2017
300 $axiv, 476 pages :$billustrations (some color) ;$c27 x 32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 451-463) and index.
520 8 $aRembrandt s stunning religious prints stand as evidence of the Dutch master s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints modest, intimate, fragile objects are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter.
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669$vCatalogues raisonnés.
600 10 $aFeddersen, Jack$q(John Francis),$d1913-1990$xArt collections$vCatalogs.
600 10 $aFeddersen, Alfrieda,$d1912-1995$xArt collections$vCatalogs.
610 20 $aSnite Museum of Art$vCatalogs.
630 00 $aBible$vIllustrations$vCatalogs.
650 0 $aChristian art and symbolism$zNetherlands$yModern period, 1500-$vCatalogs.
650 0 $aEtching$xPrivate collections$zIndiana$zNotre Dame$vCatalogs.
700 0 $aRembrandt Harmenszoon van Rijn,$d1606-1669.
710 2 $aSnite Museum of Art.
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938 $aErasmus Boekhandel$bERAA$nNTS0000241520
938 $aBaker and Taylor$bBTCP$nBK0019551603
938 $aBrodart$bBROD$n118981188
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