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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:81276498:5169
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:81276498:5169?format=raw

LEADER: 05169cam a2200589Ii 4500
001 815521657
003 OCoLC
005 20151005122323.0
008 121031s2012 enka bc 001 0 eng d
015 $aGBB271077$2bnb
016 7 $a016127502$2Uk
019 $a788263023$a801606809
020 $a9781857597660
020 $a1857597664
035 $a815521657
037 $bAntique Collectors Club Ltd, Oreil Customer Service Dept C/O Natl Book Network 15200 Nbn Way Bldg B Po Box 190, Blue Ridge Summit, PA, USA, 17214-0190$nSAN 630-0065
040 $aFSJ$beng$erda$cFSJ$dYDXCP$dGZM$dORZ$dBDX$dYNK$dCDX$dMUU$dOUN$dBWX$dUND$dU3G$dCHVBK$dZWZ$dUKMGB$dOCLCO$dBTCTA$dERASA$dOCLCA$dNLGGC$dCLE$dOCLCA$dUV0$dOCLCO$dOCLCQ$dOCLCF$dSFR$dUtOrBLW
043 $ae-it---
049 $aSFRA
050 4 $aND623.V5$bA4 2012
082 04 $a759.5$223
092 $a759.5$bV599br
100 0 $aVeronese,$d1528-1588,$eartist.
245 10 $aPaolo Veronese :$ba master and his workshop in Renaissance Venice /$cedited by Virginia Brilliant with Frederick Ilchman.
250 $a1st ed.
264 1 $aLondon, England :$bScala,$c2012.
300 $a288 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"The John and Mable Ringling Museum of Art, The State Art Museum of Florida, Florida State University in association with Scala Publishers."
500 $a"This book was published in conjunction with the exhibition Paolo Veronese: A Master and His Workshop in Renaissance Venice, on view at The John and Mable Ringling Museum of Art, Sarasota, Florida, December 7, 2012-April 4, 2013"--Title page verso.
504 $aIncludes bibliographical references (pages 273-282) and index.
520 $a"Paolo Veronese (1528-1588) is recognized as one of the giants of Venetian Renaissance painting. His artistic production was richly varied, extending from imposing altarpieces to smaller religious paintings for private clients, from grand portraits to sensual episodes drawn from the classical tradition. He was also an outstanding draughtsman, and his graphic oeuvre randed from preliminary sketches to highly finished chiaroscuro sheets. Produced to accompany an exhibition celebrating the artist at the John and Mable Ringling Museum of Art in Sarasota, Florida, this magnificently illustrated book displays Veronese's extraordinary versatility and examines his artistic practice, concentrating on works from American and Canadian museums and private collections. For a sixteenth-century painter, many of whose works are in fresco or on enormous canvases still in situ, Veronese is unusually well represented in North America. At the same time, the broad spectrum of Veronese as a painter and draughtsman has not been available to American audiences in over two decades. This publication, with contributions by an international team of experts and focusing attention on little-known works as well as acknowledged masterpieces, constitutes a major contribution to Veronese studies."--Jacket.
505 00 $tPaolo Caliari : a Veronese painter triumphant in Venice /$rDavid Rosand --$tVeronese's training, methods, and shop practice /$rDiana Gisolfi --$tVeronese and his patrons /$rBlake de Maria --$t"Abiti gravi, abiti stravaganti" : Veronese's creative approach to drapery /$rRembrandt Duits --$tVeronese's story of the eye /$rMaria H. Loh -- Veronese in America : collecting and taste /$rVirginia Brilliant -- The classical tradition : mythology and allegory /$rInge Reist -- The portraiture of Veronese /$rJohn Garton --$tThe Bible and the lives of saints /$rVirginia Brilliant --$tAltarpieces and heavenly visions /$rVirginia Brilliant --$tThe rest on the flight to Egypt /$rVirginia Brilliant -- The baptism of Christ /$rFrederick Ilchman --$tThe death of Christ /$rFrederick Ilchman --$tThe drawings of Veronese /$rJohn Marciari --$tVeronese and the reproductive print /$rJonathan Bober --$t"Like a mirror that shows his idea ..." : interaction in the Veronese workshop /$rStephen Gritt --$tMaterials, technique, and the master's hand : the Seattle Venus and Adonis /$rNicholas Dorman and Katie Patton.
600 00 $aVeronese,$d1528-1588$vExhibitions.
650 0 $aPainting, Renaissance$zItaly$zVenice$vExhibitions.
650 0 $aPainting, Italian$y16th century$vExhibitions.
700 1 $aBrilliant, Virginia,$eeditor.
700 1 $aIlchman, Frederick,$eeditor.
710 2 $aJohn and Mable Ringling Museum of Art,$ehost institution.
907 $a.b29069944$b11-21-18$c08-06-14
998 $axam$b10-07-14$cm$da $e-$feng$genk$h0$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b29069944$b01-18-15$c08-06-14
938 $aBaker and Taylor$bBTCP$nBK0011112665
956 $aPre-reclamation 001 value: ocn815521657
980 $a1014 KL emd
998 $axam$b10-07-14$cm$da$e-$feng$genk$h0$i0
994 $aC0$bSFR
999 $yMARS
945 $a759.5$bV599br$d - - $e11-12-2018 13:17$f0$g0$h11-20-18$i31223107471840$j351$0351$k - - $lxamci$o-$p$55.00$q-$r-$s- $t0$u5$v0$w1$x2$y.i79303432$z10-23-14