MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 03342nam a2200541Ia 4500
001 973024645
003 OCoLC
005 20170321092450.0
008 170217s2000 nyuag 001 0 eng c
020 $a0825828228$q(paperback)
020 $a9780825828225$q(paperback)
024 1 $a798408028220
028 22 $aO5365$bC. Fischer
035 $a973024645
035 $a(OCoLC)973024645
037 $bCharles Dumont & Son Inc, 1085 Dumont Dr, Voorhees, NJ, USA, 08043$nSAN 631-0842
040 $aSFR$cSFR$dUtOrBLW
041 1 $aeng$hger
049 $aSFRA
050 0 $aMT262
082 04 $a787.2
092 $a787.1$bZF631k bk.1 2000
100 1 $aFlesch, Carl,$d1873-1944,$eauthor.
240 10 $aKunst des Violinspiels.$nBook 1.$lEnglish
245 14 $aThe art of violin playing.$nBook 1 /$cCarl Flesch ; translated and edited by Eric Rosenblith ; foreword by Anne-Sophie Mutter.
260 $aNew York :$bC. Fischer,$c©2000.
300 $avii, 192 pages :$billustrations, music ;$c31 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMasters collection
500 $aIncludes indexes (index of subjects; index of names; index of music examples).
505 0 $aGeneral technique. The instrument -- Body posture. Position of the legs ; Holding the violin ; Direction in which the violin is held ; Head position -- The left arm. Position of the left arm ; Intonation ; Basic motions of the left hand ; String changes (left arm) ; Playing in different positions and changing positions ; Vibrato ; The basic forms of left-hand technique -- The right arm. General remarks ; Holding the bow ; Use of the bow ; Bow change ; String changes (right arm) ; Bow division and bow distribution ; Long strokes ; Short strokes ; Bouncing (springing) and thrown bow strokes ; Mixed bowings -- Tone production. General remarks ; The point of contact between bow and string ; Defects in tone production ; Dynamics ; Errors in the use of dynamics ; Tonal studies ; Tone colors ; Sound as a means of expression --
505 8 $aApplied technique. An overview -- Practicing in general -- Practicing of general technique. Daily exercises (scale system) ; Etude material -- Practicing of applied technique. Fingerings in general ; Fingerings from a technical point of view ; Fingerings as a means of expression ; Fingerings in relation to tone colors ; Bowings -- Practicing as a tool for learning ; The "hygiene" of practice -- Musical memory -- Appendix A. Photos -- Appendix B. Hand diagrams.
650 0 $aViolin$xInstruction and study.
700 1 $aRosenblith, Eric,$etranslator,$eeditor.
700 1 $aMutter, Anne-Sophie,$d1963-$ewriter of additional commentary.
830 0 $aMasters collection (New York, N.Y.)
907 $a.b33115953$b11-21-18$c12-09-16
998 $axam$b02-21-17$cm$da $e-$feng$gnyu$h4$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b33115953$b03-13-17$c12-09-16
956 $aPre-reclamation 001 value: ocn973024645
980 $a0217 bb
998 $axam$b02-21-17$cm$da$e-$feng$gnyu$h4$i0
994 $aC0$bSFR
999 $yMARS
945 $a787.1$bZF631k bk.1 2000$d - - $e - - $f0$g0$h05-30-18$i31223118811331$j503$0501$k - - $lxamov$o-$p$31.95$q-$r-$sm $t1$u2$v1$w0$x2$y.i89520531$z03-13-17