| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:362966835:5719 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 05719cam a2200685 i 4500
001 934705645
003 OCoLC
005 20161220093817.0
008 151216s2016 ncu b 001 0 eng c
010 $a2015049621
020 $a9780822361800 (hardcover : alk. paper)
020 $a0822361809 (hardcover : alk. paper)
020 $a9780822361961 (pbk. : alk. paper)
020 $a0822361965 (pbk. : alk. paper)
020 $z9780822373995
035 $a934705645
035 $a(OCoLC)934705645
037 $bDuke Univ Pr, Attn: Michael Box 90660, Durham, NC, USA, 27708, (919)6885134$nSAN 201-3436
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100 1 $aTate, Greg,$eauthor.
245 10 $aFlyboy 2 :$bthe Greg Tate reader /$cGreg Tate.
246 30 $aGreg Tate reader
264 1 $aDurham :$bDuke University Press,$c2016.
300 $a356 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. Lust, of all things (Black) -- The black male show. Amiri Baraka -- Wayne Shorter -- Jimi Hendrix -- John Coltrane -- Gone fishing : remembering Lester Bowie -- The black artists' group -- Butch Morris -- Charles Edward Anderson Berry and the history of our future -- Lonnie Holley -- Marion Brown (1931-2010) and Djinji Brown -- Dark angels of dust : David Hammons and the art of streetwise transcendentalism -- Bill T. Jones : combative moves -- Gary Simmons : conceptual bomber -- The persistence of vision : storyboard P -- Ice Cube -- Wynton Marsalis : jazz crusader -- Thornton Dial : free, black, and brightening up the darkness of the world -- Kehinde Wiley -- Rammellzee : the ikonoklast samurai -- Richard Pryor : Pryor lives -- Richard Pryor -- Gil Scott-Heron -- The man in our mirror : Michael Jackson -- Miles Davis --
505 8 $aShe laughing mean and impressive too. Born to dyke : I love my sister laughing and then again when she's looking mean, queer and impressive -- Joni Mitchell : black and blond -- Azealia Banks -- Sade : black magic woman -- All the things you could be by now if James Brown was a feminist -- Itabari Njeri -- Kara Walker -- Women at the edge of space, time, and art : ruminations on Candida Romero's Little girls -- Ellen Gallagher -- To bid a poet black and abstract -- "The Gikuyu mythos versus the Cullud grrrl from outta space" : a Wangechi Mutu feature -- Come join the hieroglyphic zombie parade : Deborah Grant -- Björk's second act -- Thelma Golden --
505 8 $aHello darknuss my old meme. Top ten reasons why so few black women were down to Occupy Wall Street plus four more -- What is hip-hop? -- Intelligence data : Bob Dylan -- Hip-hop turns thirty -- Love and crunk : Outkast -- White freedom : Eminem -- Wu-dunit : Wu-Tang Clan -- Unlocking the truth vs. John Cage --
505 8 $aScreenings. Spike Lee's Bamboozled -- It's a Mack thing -- Sex and negrocity : John Singleton's Baby boy -- Lincoln in whiteface : Jeffrey Wright and Don Cheadle in Suzan-Lori Parks's Topdog/Underdog -- The black power mixtape --
505 8 $aRace, sex, politricks, and belles lettres. Clarence Major -- The Atlantic sound : Caryl Phillips's The Atlantic sound -- Apocalypse now : Patricia Hill Collins's Black sexual politics; Thomas Shevory's Notorious H.I.V.; Jacob Levenson's The secret epidemic -- Blood and bridges -- Nigger-'tude -- Triple threat : Jerry Gafio Watts's Amiri Baraka; Hazel Rowley's Richard Wright; David Macey's Frantz Fanon -- Bottom feeders : Natsuo Kirino's Out -- Scaling the heights : Maryse Conde's Windward heights -- Fear of a mongrel planet : Zadie Smith's White teeth -- Adventures in the skin trade : Lisa Teasley's Glow in the dark -- Generations hexed : Jeffery Renard Allen's Rails under my back -- Going underground : Gayl Jones's Mosquito -- Judgment day : Toni Morrison's Love and Edward P. Jones's The known world -- Black modernity and laughter, or How it came to be that n*g*as got jokes -- Kalahari hopscotch, or Notes toward a twenty-volume Afrocentric futurist manifesto.
650 0 $aAfrican Americans$xMusic$xHistory and criticism.
650 0 $aHip-hop$xHistory.
650 0 $aPopular music$xHistory and criticism.
650 0 $aPopular culture$y20th century.
650 0 $aPopular culture$y21st century.
650 0 $aJournalism, Music.
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