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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:329137940:4109
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:329137940:4109?format=raw

LEADER: 04109cam a2200637 i 4500
001 814706235
003 OCoLC
005 20160719083852.0
008 130114s2013 nyu 000 1 eng
010 $a2012045914
015 $aGBB308437$2bnb
016 7 $a016261636$2Uk
020 $a9781590176221 (pbk.)
020 $a1590176227 (pbk.)
029 1 $aAU@$b000050423213
035 $a814706235
035 $a(OCoLC)814706235
037 $aBRO-copy20160623-091
040 $aDLC$beng$erda$cDLC$dYDXCP$dBDX$dUKMGB$dSINLB$dCDX$dOCLCF$dPUL$dYUS$dOCLCO$dSFR$dUtOrBLW
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050 00 $aPQ4829.A515$bP413 2013
082 00 $a853/.912$223
084 $aFIC032000$aFIC037000$aFIC014000$2bisacsh
092 $aF$bMALAPART
100 1 $aMalaparte, Curzio,$d1898-1957,$eauthor.
240 10 $aPelle.$lEnglish
245 14 $aThe skin /$cCurzio Malaparte ; introduction by Rachel Kushner ; translated from the Italian by David Moore.
264 1 $aNew York :$bNew York Review Books,$c[2013]
300 $axv, 343 pages ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew York Review Books Classics
500 $aTranslation from Italian of: Pelle.
520 $a"'It is a shameful thing to win a war.' The reliably unorthodox Curzio Malaparte's own service as an Italian liaison officer with the Allies during the invasion of Italy was the basis for this searing and surreal novel, in which the contradictions inherent in any attempt to simultaneously conquer and liberate a people beset the triumphant but ingenuous American forces as they make their way up the peninsula. Malaparte's account begins in occupied Naples, where veterans of the disbanded and humiliated Italian army beg for work, and ceremonial dinners for high Allied officers or important politicians feature the last remaining sea creatures in the city's famous aquarium. He leads the American Fifth Army along the Via Appia Antica into Rome, where the celebrations of a vast, joy-maddened crowd are only temporarily interrupted when one well-wisher slips beneath the tread of a Sherman tank. As the Allied advance continues north to Florence and Milan, the civil war intensifies, provoking in the author equal abhorrence for killing fellow Italians and for the "heroes of tomorrow," those who will come out of hiding to shout "Long live liberty" as soon as the Germans are chased away. Like Celine, another anarchic satirist and disillusioned veteran of two world wars, Malaparte paints his compatriots as in a fun-house mirror that yet speaks the truth, creating terrifying, grotesque, and often darkly comic scenes that will not soon be forgotten. Unlike the French writer however, he does so in the characteristically sophisticated, lush, yet unsentimental prose that was as responsible for his fame as was his surprising political trajectory. The Skin was condemned by the Roman Catholic Church, and placed on the Index Librorum Prohibitorum. "--$cProvided by publisher.
650 0 $aWorld War, 1939-1945$zItaly$vFiction.
651 0 $aItaly$vFiction.
700 1 $aMoore, David$c(Translator)
700 1 $aKushner, Rachel.
830 0 $aNew York Review Books classics.
856 42 $3Cover image$u978-1-59017-622-1.jpg
907 $a.b32389292$b09-20-18$c05-20-16
998 $axfs$b06-23-16$cm$da $e-$feng$gnyu$h4$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b32389292$b06-23-16$c05-20-16
956 $aPre-reclamation 001 value: ocn814706235
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999 $yMARS
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945 $aF$bMALAPART$d - - $e11-08-2018 10:41$f0$g0$h11-15-18$i31223117731852$j321$0503$k - - $lxfsaa$o-$p$16.95$q $r-$s- $t1$u6$v2$w1$x3$y.i8660210x$z06-23-16