Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:23749039:3990 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:23749039:3990?format=raw |
LEADER: 03990cam a22006494i 4500
001 810120196
003 OCoLC
005 20151005115145.0
008 121213t20132013ncu b 001 0 eng
010 $a2012049983
020 $a9780786468638 (softcover : alk. paper)
020 $a0786468637 (softcover : alk. paper)
024 8 $a40021904311
035 $a810120196
035 $a(OCoLC)810120196
037 $bMcFarland & Co Inc Pub, Po Box 611, Jefferson, NC, USA, 28640, (336)2464460$nSAN 215-093X
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050 00 $aML3477$b.F36 2013
082 00 $a781.640943/0973$223
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100 1 $aFarina, William,$d1955-
245 14 $aThe German cabaret legacy in American popular music /$cWilliam Farina.
264 1 $aJefferson, North Carolina :$bMcFarland & Co.,$c[2013]
264 4 $c©2013
300 $aviii, 236 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 225-226) and index.
500 $a"English glossary of German and French terminology": pages 199-201.
505 0 $aBerlin via Paris. Le Belle Époque and Überbretd -- The great American cultural invasion -- Kurt Weill and Die Dreigroschenoper -- Lotte Lenya, future Tony award winner -- The long, strange journey of Marlene Dietrich -- Hollaender, Spoliansky and their doomed associates -- Christopher Isherwood, reporting from Berlin -- Total collapse of the moral universe -- A field day for the Neue Sachlichkeit -- Josef von Sternberg captures it all on film --
505 8 $aAmerika [sic] and beyond. From the Kurfürstendamm to Broadway -- Kabarett helps to win the war -- The resurrection of Mahagonny -- Louis Armstrong connects the dots -- Bacharach and David redefine the Brill Building -- Cabaret on stage and film -- The British importation of Kleinkunst -- Singer-songwriters become bankable -- Adoption by the alternative scene -- A turbulent new century begins.
520 $a"The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence. Today, German cabaret tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues"--Provided by publisher.
650 0 $aPopular music$zUnited States$xHistory and criticism.
650 0 $aMusic$zGermany$y20th century$xHistory and criticism.
650 0 $aPopular music$zGermany$y1921-1930$xHistory and criticism.
650 0 $aPopular music$zGermany$y1931-1940$xHistory and criticism.
650 0 $aMusic$zUnited States$y20th century$xGerman influences.
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