Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:106782169:3451 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:106782169:3451?format=raw |
LEADER: 03451cam a2200481Ii 4500
001 869296388
003 OCoLC
005 20151005123312.0
008 140128s2013 xxu 001 0 eng d
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020 $a0615755054
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035 $a(OCoLC)869296388
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049 $aSFRA
082 04 $a782.42/13$223
092 $a780.07$bB6259t 2013
100 1 $aBlume, Jason,$eauthor.
245 10 $aThis business of songwriting /$cJason Blume.
250 $aRevised 2nd edition.
264 1 $a[United States] :$bHarpethHills Press,$c2013.
300 $av, 347 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 0 $a1. Grasping the basics of music publishing -- 2. Getting a publisher to represent your work -- 3. Working as a staff-writer -- 4. Understanding music publishing agreements -- 5. Self-publishing your work and exploiting your copyrights -- 6. Copublishing your work -- 7. Operating as a performing songwriter -- 8. Understanding copyright administration and administration agreements -- 9. Understanding mechanical licenses and mechanical royalties -- 10. Understanding performance royalties -- 11. Writing and marketing music for film and television -- 12. Targeting special markets -- 13. Tapping additional sources of income -- 14. Understanding subpublishing -- 15. Learning how the music charts work -- 16. Copyrighting your songs and working with attorneys -- 17. Hiring independent songpluggers and avoiding scams -- 18. Collaborating -- 19. Organizing your business -- 20. Developing persistence and realistic expectations.
520 $aWriting great songs is not enough. To make money, songwriters need a firm, realistic grasp of how songs generate income, and how the songwriting business works. This business of songwriting is a one-volume resource that teaches the skills and knowledge every songwriter and music publisher needs to succeed. Samples of virtually every contract a songwriter might likely encounter are included, and with top music industry attorneys as consultants, Blume translates these contracts from legalese into plain English. The author is a songwriter, music publisher, and educator.
650 0 $aMusic trade$xVocational guidance.
650 0 $aPopular music$xWriting and publishing$xVocational guidance.
650 0 $aMusic$xEconomic aspects.
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957 00 $aOCLC reclamation of 2017-18
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956 $aPre-reclamation 001 value: ocn869296388
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