| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:335398728:3470 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 03470cam a2200553 i 4500
001 759908839
003 OCoLC
005 20151005110702.0
008 130326s2013 nyu b 001 0 eng
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050 00 $aPN4900.N324$bS74 2013
082 00 $a051$223
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100 1 $aStein, Ellin.
245 10 $aThat's not funny, that's sick :$bthe National lampoon and the comedy insurgents who captured the mainstream /$cEllin Stein.
246 3 $aThat is not funny, that is sick
246 30 $aNational lampoon and the comedy insurgents who captured the mainstream
250 $aFirst edition.
264 1 $aNew York :$bW.W. Norton & Company,$c[2013]
300 $aviii, 448 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $aLabor Day, 1969. Two recent Harvard graduates move to New York to edit a new magazine called the National Lampoon. Brilliant humorists Henry Beard and Doug Kenney presided over a team that within a decade transformed American culture and conquered the mainstream with a brand of subversive humor that provoked, offended, and often illuminated. With unparalleled access to the architects and impresarios of this boom, journalist Ellin Stein takes us behind the jokes to witness the fighting, partying, collaboration, and competition of those who led a rebellion of the self-consciously disenchanted. At its zenith the brand birthed the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray. Set against the roiling political and cultural landscape of the 1970s, That's Not Funny, That's Sick brims with insiders' stories while offering crucial insight into a raucous transformation in comedy that still echoes today.
630 00 $aNational lampoon$xHistory.
650 0 $aAmerican wit and humor$vPeriodicals$xHistory.
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957 00 $aOCLC reclamation of 2017-18
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