MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 06846cam a2200625 a 4500
001 668990512
003 OCoLC
005 20151005101849.0
008 101004s2011 nyua b 001 0 eng
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020 $a9780199743209 (pbk. : alk. paper)
020 $a0199743207 (pbk. : alk. paper)
020 $a9780199743216 (hbk. : alk. paper)
020 $a0199743215 (hbk. : alk. paper)
035 $a668990512
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245 00 $aMaking music for modern dance :$bcollaboration in the formative years of a new American art /$csource readings compiled and edited by Katherine Teck.
260 $aNew York :$bOxford University Press,$cc2011.
300 $axxx, 366 p. :$bill., ports. ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
500 $a"Threads of America's heritage in music and dance": p. [xxvii]-xxx.
505 00 $gMusical collaboration for a new era in dance.$gOverview :$tThe question of using old music for new dance --$tHow to revive dancing : music and the dancer /$rÉmile Jaques-Dalcroze --$tDancing to Beethoven's Seventh symphony /$rIsadora Duncan --$tMusic for Isadora Duncan's dance /$rBaird Hastings --$tThe dance poems of Michio Ito : The white peacock, to music by Griffes /$rHelen Caldwell --$tThe Denishawn aesthetic : America and the dance, music visualization /$rDenishawn program --$tOn dancing to Bach : Humphrey-Weidman programs /$rNorman Cazden --$tAmerican music and composers : what dancers need /$rTed Shawn --
505 80 $gCreative procedures and ingredients.$gOverview :$tSome challenges of collaboration, and composers debate about what works --$tMusic and dance : the new generation's change in methods /$rLouis Horst --$tLouis Horst /$rHenry Gilfond --$tA quiet genius himself : a dance teacher's tribute to Louis Horst /$rGertrude Lippincott --$tSynthesizing music and the dance /$rWallingford Riegger --$tSensing the dancer's impulse : a dancer talks about the art of composer-accompanists /$rErnestine Stodelle --$tMy scores for modern dance : tragedy and comedy /$rVivian Fine --$tThe race of life : my side of the story : the relationship of music and dance /$rDoris Humphrey --$tUnder way : composing for Martha Graham : details of contemporary collaboration /$rLehman Engel --$tRelating music and concert dance : an idea for elastic form /$rHenry Cowell --$tSound-companion for dance : Henry Cowell's music /$rNorman Lloyd --$tComposing for the dance : an overview of procedures, personal experiences, and advice to collaborators /$rNorman Lloyd --
505 80 $gToward new "American" styles.$gOverview :$tDefining what makes music "American" and common musical concerns of ballet and modern dance --$tThe cosmopolitan scene of the 1920s and '30s : avant-garde experiments, jazz, and symphonic ballet scores /$rVerna Arvey --$tThe theatrical thirties /$rVirgil Thomson --$tVirgil Thomson's later reflections /$rKatherine Teck --$gEditorial :$tDance and American composers /$rDance observer [magazine] $gOverview :$tDrawing upon folk music and wartime patriotism --$tPeople dancing /$rWoody Guthrie --$tSophie Maslow and Woody /$rNora Guthrie --$tMusic for Martha /$rAgnes de Mille --$tThe commission for Appalachian spring /$rAaron Copland --$tAaron Copland's America /$rGail Levin --$tAppalachian spring : an appreciation fifty-four years later /$rRichard Philp --$gOverview :$tBuilding on the Horton experience --$tLester Horton : of money, music, and motivation /$rLarry Warren and others who knew him --$tKenneth Klauss : musician for California dancers /$rKatherine Teck --$tCarmen de Lavallade : dancing to many musical styles /$rKatherine Teck --$tInstructions : how to play the drums /$rAlvin Ailey --$tAlvin Ailey's Revelations /$rJennifer Dunning --$tHow Revelations came to be /$rAlvin Ailey, with A. Peter Bailey --
505 0 $gInstruments, technology, and the avant-garde.$gOverview :$tExpanding timbre possibilities with percussion : vocalization, electronic instruments, and the sounds around us --$tPercussion music and its relation to the modern dance /$rFranziska Boas --$tEast Indian tala music /$rHenry Cowell --$tChoric sound for the dance /$rLehman Engel --$tGoal : new music, new dance /$rJohn Cage --$tElectronic music for Doris Humphrey's Theatre piece no. 2 /$rOtto Luening --$tMy total theater concept / Alwin Nikolais --$tExperimental music /$rJohn Cage --$tCommunication /$rJohn Cage --$tDancing with the avant-garde /$rCarolyn Brown --
505 80 $gWellsprings of creative collaboration.$gOverview :$tDiverse methods and aesthetic ideas --$t"Fun" in music and the dance /$rLeonard Bernstein --$tWhy I make dances /$rPaul Taylor --$tMy intention to serve Spanish ballet serves American modern dancers instead /$rCarlos Surinach --$tMusic for the modern dance : meditations on melodies, modes, emotion, and creation /$rLou Harrison --$tNotes on new music for the dance : choices open to collaborators at midcentury /$rLucia Dlugoszewski --
505 80 $gDance artists speak to future generations.$gOverview :$tPostwar trends, and music in the training of dancers --$tMy love affair with music /$rErick Hawkins --$tFinding your own voice /$rBessie Schönberg --$tMusic and dancing /$rPaul Draper --$tDancers are musicians are dancers /$rJosé Limón --$gAfterword :$tCreativity in one's own time.
650 0 $aModern dance music$zUnited States$y20th century$xHistory and criticism.
650 0 $aModern dance$zUnited States$xHistory$y20th century.
650 0 $aMusic and dance.
650 0 $aMusic$zUnited States$y20th century$xHistory and criticism.
650 0 $aDance accompaniment music$xHistory and criticism.
700 1 $aTeck, Katherine.
907 $a.b25510095$b11-21-18$c09-05-12
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957 00 $aOCLC reclamation of 2017-18
907 $a.b25510095$b02-09-15$c09-05-12
956 $aPre-reclamation 001 value: ocn668990512
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