| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:226536292:4090 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:226536292:4090?format=raw |
LEADER: 04090cam a2200601Ia 4500
001 764341373
003 OCoLC
005 20151005094704.0
008 111123s2011 mauag 001 0 eng d
019 $a775066122$a779409921
020 $a9780876391228 (pbk.)
020 $a0876391226 (pbk.)
024 1 $a884088409005
028 52 $aHL50449604$bHal Leonard
035 $a764341373
035 $a(OCoLC)764341373$z(OCoLC)775066122$z(OCoLC)779409921
037 $bHal Leonard Corp, Attn: Joel Aldinger Po Box 13819 7777 W Bluemound rd, Milwaukee, WI, USA, 53213, (414)7743630-6293$nSAN 239-250X
040 $aBTCTA$beng$cBTCTA$dYDXCP$dZQP$dPAI$dTDF$dBWX$dGUA$dORX$dSFR$dUtOrBLW
049 $aSFRA
050 4 $aMT64.M65$bS37 2011
082 04 $a781.5/413$223
092 $a781.66$bSch328mu
100 1 $aSchifrin, Lalo.
245 10 $aMusic composition for film and television /$cLalo Schifrin ; edited by Jonathan Feist.
260 $aBoston, MA :$bBerklee Press ;$aMilwaukee, WI :$bDistributed by Hal Leonard,$cc2011.
300 $aviii, 278 p. :$bill., music ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 0 $aFilm and music. The psychology of film and television music ; Audio-visual counterpoint -- Phases of the writing process. The spotting session ; The scoring session ; The recording session ; The mixdown session ; The dubbing session -- The interval relationship of different moods. Tritones ; Scales of limited transposition ; Intervals and dramatic effect : consonant to dissonant -- Action music. Rhythmic approach ; Melody or pitch-class relationships ; Harmony or density in action music ; Rhythmic polyphony -- Suspense. Light suspense ; Buildup to grand tuttis ; Neutral suspense -- Special genres. Horror ; Love ; Comedy -- Synchronization techniques. With the clock ; Click tracks -- Dialogue and sound effects. Music under dialogue ; Using sound effects as music -- The function of the human voice. As background music ; As a song -- Cinematic devices. The use of ostinato ; Flashbacks ; Montages ; Slow motion ; Split screen -- Ethnic and period music. Latin America ; Tango ; Period music -- Beginnings, connections, and endings. Connections ; Ending ; Television formats -- Different genres. Documentaries ; Coming attractions and featurettes -- Studio-composer relationships. Universal and Herrmann ; MGM and the composers -- Fantasy for screenplay and orchestra. Main title ; Film noir ; First transition ; The silent comedians ; Second transition ; Love scene ; The final conflict -- Coda.
650 0 $aMotion picture music$xInstruction and study.
650 0 $aTelevision music$xInstruction and study.
650 0 $aComposition (Music)$xInstruction and study.
700 1 $aFeist, Jonathan.
700 12 $aSchifrin, Lalo.$tFantasy for screenplay and orchestra.
710 2 $aBerklee College of Music.
907 $a.b25076632$b11-21-18$c03-07-12
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957 00 $aOCLC reclamation of 2017-18
907 $a.b25076632$b06-22-15$c03-07-12
938 $aBaker and Taylor$bBTCP$nBK0010351036
938 $aYBP Library Services$bYANK$n7433161
938 $aTheodore Front Musical Literature$bTFRT$nTF310883
938 $aBlackwell Book Service$bBBUS$n7433161
956 $aPre-reclamation 001 value: ocn764341373
980 $a0512 bb
998 $axam$b05-30-12$cm$da$e-$feng$gmau$h0$i0
994 $aC0$bSFR
999 $yMARS
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