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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:234334897:2513
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:234334897:2513?format=raw

LEADER: 02513cam a2200493 a 4500
001 77271150
003 OCoLC
005 20151005062158.0
008 061219s2007 nyu 000 0 eng
010 $a2006102544
020 $a9780571226252
020 $a0571226256
029 1 $aYDXCP$b2461352
035 $a77271150
035 $a(OCoLC)77271150
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dYBM$dYDXCP$dVP@$dBWK$dSFR$dUtOrBLW
049 $aSFRA
050 00 $aTR899$b.F48 2007
082 00 $a778.5/35$222
092 $a778.535$bF468d
100 1 $aFiggis, Mike.
245 10 $aDigital filmmaking /$cMike Figgis.
250 $a1st American ed.
260 $aNew York :$bFaber and Faber,$c2007.
300 $a158 p. ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 0 $aChoosing your weapon, learning to love it -- Excursions into Super-8, 16mm, Super-16 and Hi-8 -- Customised cameras, video aesthetics -- Pre-production, part 1: The Budget -- Pre-production, part 2: Location -- Lighting -- Camera movement -- Working with actors -- Post-production -- Music -- Distribution.
650 0 $aMotion pictures$xEditing$xData processing.
907 $a.b21276018$b11-21-18$c01-16-08
998 $aa5$a(2)xam$ap3$aw2$b04-04-08$cm$da $e-$feng$gnyu$h0$i14
957 00 $aOCLC reclamation of 2017-18
907 $a.b21276018$b09-09-15$c01-16-08
956 $aPre-reclamation 001 value: ocm77271150
980 $a0408 KL
998 $a(2)a5$a(6)xam$a(2)p3$a(2)r3$a(2)w2$b04-04-08$cm$da$e-$feng$gnyu$h0$i14
994 $aC0$bSFR
999 $yMARS
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945 $a778.535$bF468d$d - - $e02-14-2018 16:50$f0$g0$h03-06-18$i31223084855817$j351$0503$k - - $lw2aaa$ol$p$13.00$q-$r-$s- $t1$u15$v21$w0$x1$y.i5372396x$z01-02-09