MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05124cam a2200697 a 4500
001 59002670
003 OCoLC
005 20151005053538.0
008 050407s2006 ncuag b 001 0 eng
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020 $a0300109326 (cloth : alk. paper)
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050 00 $aMT892$b.E45 2006
082 00 $a783/.043/09$222
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100 1 $aElliott, Martha.
245 10 $aSinging in style :$ba guide to vocal performance practices /$cMartha Elliott.
260 $aNew Haven :$bYale University Press,$cc2006.
300 $axii, 356 p. :$bmusic ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. 327-346) and index.
505 0 $aCh. 1. The early Baroque. Baroque notation ; Scores and editions ; Thoroughbass ; Accompaniment instruments ; Pitch ; Vibrato ; Words and music ; Historical pronunciation -- Italy. Voice types and registers ; Ornamentation -- England. Voice types and ranges ; Ornamentation -- France. Voice types and ranges ; Dance forms ; Notes inégales ; Ornamentation ; Diction --
505 8 $aCh. 2. The late Baroque. Scores and notation ; Modern editions ; Tempo ; Articulation ; Rhythmic alteration ; Legato ; Vibrato and breath ; Pitch ; Period instruments ; Recitative -- Italian influence. Ornamenting arias ; Handel's Messiah -- Germany. Ornamentation ; J.S. Bach and his singers -- France. Secular cantatas ; Ornamentation --
505 8 $aCh. 3. The Classical era. Scores and editions ; Classical instruments ; Articulation and legato ; Tempo and rhythm ; Voice types and ranges ; Mozart on singers ; Vibrato and portamento ; Recitative ; Ornamentation --
505 8 $aCh. 4. Italian bel canto. Scores and editions ; Articulation and phrasing ; Tempo, rhythmic flexibility, and rubato ; Voice types ; Technique ; Vibrato ; Portamento ; Ornamentation ; Cadenzas and improvised florid embellishment --
505 8 $aCh. 5. German Lieder. Editions ; Transpositions ; German diction and technique ; Articulation and expression marks ; Embellishment ; Notated ornaments ; Vibrato and portamento ; The piano ; Tempo and rhythm --
505 8 $aCh. 6. French mélodies. Editions, transpositions, and voice types ; French taste and aesthetics ; Ornamentation ; The performer's new role ; Words and music ; Diction and articulation ; Portamento and vibrato ; Rhythm and tempo --
505 8 $aCh. 7. Second Viennese School. Publications and editions ; Performance and analysis ; The Society for Private Musical Performance ; Music and text ; Pierrot lunaire ; Sprechstimme in other works ; Dynamics and articulation ; Tempo and rubato ; Learning this music --
505 8 $aCh. 8. Early twentieth-century nationalism. Russia. Musorgsky and Olenina ; Rimsky-Korsakov, Rachmaninov, and Chaliapin ; Prokofiev ; Shostakovich ; Editions and language -- Spain. Falla ; Rodrigo ; Editions -- England. Britten and Pears ; Editions -- United States. Ives ; Copland ; Barber ; Editions --
505 8 $aCh. 9. Working with living composers. Voice types ; Manuscripts, revisions, and published scores ; Notation ; Special vocal effects ; Other special instructions or requirements ; Learning difficult rhythms and pitches ; Vibrato ; Text and music ; Composers as performers ; Using recordings ; Conclusions : Finding the composers' intentions.
650 0 $aSinging$xInterpretation (Phrasing, dynamics, etc.)
650 0 $aPerformance practice (Music)
650 0 $aVocal music$xHistory and criticism.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0510/2005009701.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0664/2005009701-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0664/2005009701-d.html
907 $a.b20289133$b11-21-18$c08-16-06
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957 00 $aOCLC reclamation of 2017-18
907 $a.b20289133$b08-17-15$c08-16-06
938 $aBaker & Taylor$bBKTY$c40.00$d40.00$i0300109326$n0006428738$sactive
938 $aIngram$bINGR$n0300109326
938 $aYBP Library Services$bYANK$n2212665
956 $aPre-reclamation 001 value: ocm59002670
980 $a1006 pc bb
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