| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:94159102:1860 |
| Source | marc_openlibraries_phillipsacademy |
| Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:94159102:1860?format=raw |
LEADER: 01860cam a2200373 a 4500
001 2275528
003 NOBLE
005 20041115104833.0
008 020612s2003 ncua b s001 0 eng
010 $a2002009070
020 $a0807827606 (cloth : alk. paper)
035 $a(OCoLC)50006525
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049 $aNOGA
050 00 $aN8232$b.H37 2003
082 00 $a704.9/49305896073$221
100 1 $aHarris, Michael D.,$d1948-
245 10 $aColored pictures :$brace and visual representation /$cMichael D. Harris ; foreword by Moyo Okediji.
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2003.
300 $axiv, 281 p. :$bill. (some col.) ;$c28 cm.
504 $aIncludes bibliographical references (p. [259-274) and index.
505 0 $aBlack: the discredited signifier/signified -- Constructing and visualizing race -- The nineteenth century: imaged ideology -- Aunt Jemima, the fantasy black mammy/servant -- Jezebel, Olympia, and the sexualized woman -- Color lines: mapping color consciousness in the art of Archibald Motley Jr. -- The language of appropriation: fantasies and fallacies -- Turning in from the periphery.
520 $aThe author examines the role of visual representations in the construction of black identities, both real and imagined, in the United States
650 0 $aAfrican Americans in art.$0(NOBLE)1099
650 0 $aAfrican American art.$0(NOBLE)987
650 0 $aAfrican Americans$xRace identity.$0(NOBLE)1079
902 $a120516
919 4 $a31867001366140
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990 $ami 11-15-2004
994 $aX0$bNOG
901 $a2275528$bIII$c2275528$tbiblio
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