| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:76927557:1511 |
| Source | marc_openlibraries_phillipsacademy |
| Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:76927557:1511?format=raw |
LEADER: 01511cam a2200349 a 4500
001 2133124
003 NOBLE
005 20000406131452.0
008 971230s1999 nyua b 001 0deng
010 $a97042470
020 $a0195055853 (acid-free paper) :
035 $a(OCoLC)38168232
040 $aDLC$cDLC$dUKM
043 $an-us---
049 $aPANA
050 00 $aML3508$b.S85 1999
082 00 $a781.65/089/13$221
092 $a781.65$bB39L
100 1 $aSudhalter, Richard M.$0(NOBLE)56459
245 10 $aLost chords :$bwhite musicians and their contribution to jazz, 1915-1945 /$cRichard M. Sudhalter.
260 $aNew York :$bOxford University Press,$c1999.
300 $axxii, 890 p. :$bill. ;$c25 cm.
500 $aIndex.
504 $aIncludes bibliographical references and indexes.
505 0 $aI. In the beginning: New Orleans to Chicago. --II. The sophisticates: New York and its hot jazz chamber music. --III. The hot lineage: Chicago and its descendants. --IV. The big bands 1: creating a tradition. --V. Individual voices. --VI. The big bands 2: at the summit. --VII. The fine art of Sui Generis.
650 0 $aWhite jazz musicians$zUnited States$xHistory.
650 0 $aJazz$xHistory and criticism.
902 $a120315
919 4 $a31867000864392
998 $b1$c031205$d3$e1$f-$g0
901 $a2133124$bIII$c2133124$tbiblio
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