| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:45693161:2242 |
| Source | marc_openlibraries_phillipsacademy |
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LEADER: 02242pam a22003374a 4500
001 2375119
003 NOBLE
005 20060703093122.0
008 051020s2006 kyu b s001 0 eng
010 $a2005030639
020 $a0813123771 (hdbk. : alk. paper)
035 $a(OCoLC)61878851
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050 00 $aPN1995.9.F54$bP55 2006
082 00 $a791.43/6552$222
245 04 $aThe philosophy of film noir /$cedited by Mark T. Conard ; foreword by Robert Porfirio.
260 $aLexington :$bUniversity Press of Kentucky,$cc2006.
300 $axv, 248 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 00 $tNietzsche and the meaning and definition of noir /$rMark T. Conard --$tA darker shade: realism in neo-noir /$rJason Holt --$tMoral clarity and practical reason in film noir /$rAeon J. Skoble --$tCherchez la femme fatale: the mother of film noir /$rRead Mercer Schuchardt --$tFrom Sherlock Holmes to the hard-boiled detective in film noir /$rJerold J. Abrams --$tFilm noir and the meaning of life /$rSteven M. Sanders --$tThe horizon of disenchantment: film noir, Camus, and the vicissitudes of descent /$rAlan Woolfolk --$tSymbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction /$rMark T. Conard --$tFilm noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour /$rPaul A. Cantor --$tKnowledge, morality, and tragedy in The killers and Out of the past /$rIan Jarvie --$tMoral man in the dark city: film noir, the postwar religious revival, and The accused /$rR. Barton Palmer --$tOn reason and passion in The Maltese falcon /$rDeborah Knight --$tRide the pink horse: money, mischance, murder, and the monads of film noir /$rAlain Silver.
650 0 $aFilm noir$xHistory and criticism.
700 1 $aConard, Mark T.,$d1965-
902 $a120229
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990 $anobcw 07-03-2006
901 $ab23751198$bIII$c2375119$tbiblio
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