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MARC Record from marc_openlibraries_phillipsacademy

Record ID marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:33366934:1728
Source marc_openlibraries_phillipsacademy
Download Link /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:33366934:1728?format=raw

LEADER: 01728cam a2200253 4500
001 2217834
003 NOBLE
005 19960805150446.0
008 820518s1862 maua j 000 1 eng d
035 $a(OCoLC)8436266
040 $aFHM$cFHM$dPAN
049 $aPANE
090 $aPS1059.B24$bS46
099 $aSp$aCol$aFiction$aL5656s
100 1 $aLeslie, Madeline,$d1815-1893.$0(NOBLE)71222
245 10 $aSequel to Tim the scissors-grinder /$cby Madeline Leslie.
260 $aBoston :$bH. Hoyt,$c1862.
300 $avi, [7]-259 p. :$bill., front, plates$c17.5 cm.
520 $aOne of the most prolific -- and most forgotten -- authors of early nineteenth-century series for children was Harriette Newell Woods Baker. She was born in Andover, Massachusetts, on 19 August 1815 to Leonard and Abby Woods. Like a number of other nineteenth-century female series authors, Baker came from an educated family: according to the National Cyclopedia of American Biography, her father, Dr. Woods, "was the first professor in Andover Theological Seminary, and afterward [its] president." One of her girlhood friends (whom she later described as "my most intimate companion") was Elizabeth Stuart (later, Elizabeth Stuart Phelps), who also authored early girls' series and whose father was also a professor and Hebrew scholar at Andover Theological Seminary. [1] Indeed, for a time, the two girls even formed their own writing society and read each other's work.
902 $a120504
919 4 $a5602966
998 $b1$c031207$d3$e1$f-$g0
901 $a2217834$bIII$c2217834$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 5 (in Storage)$jFiction L5656s$gbook$p5602966$y140.00$t1$xreference$xunholdable$xnoncirculating$xvisible$zLibrary Use Only