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LEADER: 01950 am a22003013u 450
001 1000228
005 20190513
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008 190513s|||| xx o 0 u eng |
020 $a9789462701397
020 $a9789461662514
024 7 $a10.26530/OAPEN_1000228$2doi
041 0 $aeng
042 $adc
072 7 $aAVA$2bicssc
100 1 $aD'Errico, Lucia$4aut
245 10 $aPowers of Divergence
260 $aLeuven$bLeuven University Press$c2018
300 $a220
520 $a"Beyond resemblance: creative divergence in music performance
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."

536 $aFP7 Ideas: European Research Council$c313419$bFP7 SC39
546 $aEnglish.
650 7 $aTheory of music & musicology$2bicssc
653 $amusic performance
653 $aartistic research
653 $adivergence
856 40 $uhttp://www.oapen.org/download?type=document&docid=1000228$zAccess full text online
856 40 $uhttp://creativecommons.org/licenses/by-nc-nd/4.0$zCreative Commons License