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MARC Record from marc_oapen

Record ID marc_oapen/oapen.marc.utf8.mrc:17102079:2334
Source marc_oapen
Download Link /show-records/marc_oapen/oapen.marc.utf8.mrc:17102079:2334?format=raw

LEADER: 02334 am a22002413u 450
001 437211
005 20190511
007 cu#uuu---auuuu
008 190511s|||| xx o 0 u ger |
020 $a9783465035015
024 7 $a$2doi
041 0 $ager
042 $adc
100 1 $aNeuhofer, Monika$4aut
245 10 $a"Écrire un seul livre, sans cesse renouvelé"
260 $a$bVittorio Klostermann GmbH$c2006
300 $a364 Seiten
520 $aThe study examines Jorge Semprun´s literary reflections on his experiences made in the concentration camp of Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L´écriture ou la vie" (1994) and "Le mort qu´il faut" (2001) with the aim to show the development in his retrospective treatment of the past. Therefore the texts are not considered as a unified "ecriture" but as a progressing approximation to his experiences in Buchenwald.

The study deals in narratological and poetological terms with Semprun´s growing awareness of what Buchenwald means to him: While "Le grand voyage" is deeply influenced by the authors communistic view. "Quel beau dimanche!" reflects Sempruns disconcertion caused by his awareness of the parallel existence of concentration camps in Nazi-Germany and in the Soviet Union. "L´ecriture ou la vie" and "Le mort qu´il faut", for their part, are written by an author who considers himself as survivor and witness.

This process is accompanied by Semprun´s shift to literature as a universe implying sense and creating identity. This becomes vitally important after his dissociation from communism and enables him to speak extensively about his experiences with death. Therefore Semprun´s conception of "witnessship" can be described as diametrically opposed to factual documentation. It is rather intended to function within a literary field: Only the intensive use of intertextuality allowes Semprun to comprehend Buchenwald finally as the centre of his life and as the origin of his own identity as well as to communicate his "truth" to the reader.


536 $aAustrian Science Fund$cD 3790
546 $aGerman.
653 $aJorge Semprun, Memory, Holocaust-Literature, Intertextuality, Buchenwald, Identity
856 40 $uhttp://www.oapen.org/download?type=document&docid=437211$zAccess full text online
856 40 $u$zLicense