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MARC Record from marc_oapen

Record ID marc_oapen/oapen.marc.utf8.mrc:14564054:1627
Source marc_oapen
Download Link /show-records/marc_oapen/oapen.marc.utf8.mrc:14564054:1627?format=raw

LEADER: 01627 am a22002893u 450
001 606231
005 20180626
007 cu#uuu---auuuu
008 180626s|||| xx o 0 u dut |
020 $a9789087281465
024 7 $a10.26530/OAPEN_606231$2doi
041 0 $adut
042 $adc
072 7 $aAB$2bicssc
100 1 $aHouppermans, Sjef$4aut
245 10 $aDéjà Vu
260 $a$bLeiden University Press$c2011
300 $a336
520 $aRepetition has a major role in human culture. In lullabies and prayers, in protests and war
cries: from the cradle to the grave, repetition
is the companion to life?s essentials. In a
constantly revolving world there is no pure
repetition. Events never repeat themselves
precisely. This is equally true of repetition
in Literature and Art, where the use of
repetition is varied and frequent. How does
repetition work? And how can it be of use?
Déjà Vu unravels these questions in fifteen
chapters ranging from film remakes and
Baudelaire to the offer of Abraham and David
Lodge, Small World. Déjà Vu shows that
repetition has been used worldwide through
all times and cultures in visual arts, poetry,
music, literature and motion pictures.

536 $aNederlandse Organisatie voor Wetenschappelijk Onderzoek
546 $aDutch; Flemish.
650 7 $aThe arts: general issues$2bicssc
653 $arepetition
700 1 $aJacobs, Jef$4aut
700 1 $aKruk, Remke$4aut
856 40 $uhttp://www.oapen.org/download?type=document&docid=606231$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc/3.0/$zCreative Commons License