| Record ID | marc_oapen/oapen.marc.utf8.mrc:11797169:1750 |
| Source | marc_oapen |
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LEADER: 01750 am a22002893u 450
001 637220
005 20181204
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020 $a9789400602632
020 $a9789400603011
024 7 $a10.24415/9789400603011$2doi
041 0 $aund
042 $adc
072 7 $aAVA$2bicssc
100 1 $aCobussen, Marcel$4aut
245 10 $aThe Field of Musical Improvisation
260 $a$bLeiden University Press$c2017
520 $aThe central aim of this book is to present a new approach to ?the field of musical improvisation? (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are ?at work? than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural backgrounds, technology, and the like all play a significant role. However, not all of these actants determine every improvisation to the same extent; some are more prominent and active than others in certain situations (periods, styles, cultures, as well as more singular circumstances). Therefore, the FMI theory will prove to be more than a theory dealing with improvisation ?in general?. Rather, FMI emphasizes singularity: each improvisation thus yields a different network of actants and interactions, a unique configuration or assembly.
546 $aUndetermined.
650 7 $aTheory of music & musicology$2bicssc
653 $acomplexity theories
653 $anew materialism
653 $amusic philosophy
653 $amusic ecology
856 40 $uhttp://www.oapen.org/download?type=document&docid=637220$zAccess full text online
856 40 $uAll rights reserved$zLicense