MARC Record from marc_oapen

LEADER: 01988 am a22003613u 450
001 648359
005 20200104
007 cu#uuu---auuuu
008 200104s|||| xx o 0 u eng |
020 $a9780824866655
020 $a9780824878337
020 $a9780824878344
024 7 $a$2doi
041 0 $aeng
042 $adc
100 1 $aMaliangkay, Roald$4aut
245 10 $aBroken Voices
260 $aHonolulu$bUniversity of Hawai?i Press$c20171101
520 $a'Broken Voices' is the first English-language book on Korea?s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong 'Arirang', commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO?s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and raises an important issue of cultural preservation?traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome but imperative.
536 $aKnowledge Unlatched$c101410$bKU Select 2017: Front list Collection
546 $aEnglish.
653 $aMusic
653 $apostcolonialism
653 $afolksong
653 $aheritage
653 $aintangible
653 $apreservation
653 $acultural cringe
653 $aKorea
653 $akugak
653 $alegislation
856 40 $uhttp://www.oapen.org/download?type=document&docid=648359$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$zCreative Commons License