| Record ID | marc_oapen/convert_oapen_20201117.mrc:4682179:1870 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/convert_oapen_20201117.mrc:4682179:1870?format=raw |
LEADER: 01870namaa2200301uu 450
001 http://library.oapen.org/handle/20.500.12657/24480
005 20191023
020 $aj.ctt6wp7x9
020 $a9789089645517;9789089645159
024 7 $a10.2307/j.ctt6wp7x9$cdoi
041 0 $aFrench
042 $adc
072 7 $aAB$2bicssc
072 7 $aAFKV$2bicssc
100 1 $aMouëllic, Gilles$4auth
245 10 $aImprovising Cinema
260 $aAmsterdam$bAmsterdam University Press$c2014
300 $a1 electronic resource (200 p.)
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aThis spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/4.0/$2cc$4https://creativecommons.org/licenses/by-nc-nd/4.0/
546 $aFrench
546 $aEnglish
650 7 $aThe arts: general issues$2bicssc
650 7 $aElectronic, holographic & video art$2bicssc
653 $aSociety & culture: general
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/24480$70$zOAPEN Library: description of the publication