| Record ID | marc_oapen/convert_oapen_20201117.mrc:18304059:2065 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/convert_oapen_20201117.mrc:18304059:2065?format=raw |
LEADER: 02065namaa2200373uu 450
001 http://library.oapen.org/handle/20.500.12657/24458
005 20191023
020 $aj.ctt1zqrmrh
020 $a9789089647542
024 7 $a10.2307/j.ctt1zqrmrh$cdoi
041 0 $aEnglish
042 $adc
072 7 $aAN$2bicssc
072 7 $aAP$2bicssc
072 7 $aAPFA$2bicssc
100 1 $aHidalgo, Santiago$4edt
700 1 $aGaudreault, André$4edt
700 1 $aHidalgo, Santiago$4oth
700 1 $aGaudreault, André$4oth
245 10 $aTechnology and Film Scholarship: Experience, Study, Theory
260 $aAmsterdam$bAmsterdam University Press$c2017
300 $a1 electronic resource (408 p.)
506 0 $aOpen Access$2star$fUnrestricted online access
520 $aThis volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.
540 $aCreative Commons$fhttps://creativecommons.org/licenses/by-nc-nd/4.0/$2cc$4https://creativecommons.org/licenses/by-nc-nd/4.0/
546 $aEnglish
650 7 $aTheatre studies$2bicssc
650 7 $aFilm, TV & radio$2bicssc
650 7 $aFilm theory & criticism$2bicssc
653 $aThe arts: general issues
653 $aElectronic, holographic & video art
653 $aFilm history, theory & criticism
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/bdc6f981-1da1-4236-9d89-f90a641954cf/1005657.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/24458$70$zOAPEN Library: description of the publication