MARC Record from marc_oapen

LEADER: 03396namaa2200433uu 450
001 http://library.oapen.org/handle/20.500.12657/30822
005 20180116
020 $aOBP.0115
024 7 $a10.11647/OBP.0115$cdoi
041 0 $aEnglish
042 $adc
072 7 $aABA$2bicssc
072 7 $aAFC$2bicssc
072 7 $aAG$2bicssc
100 1 $aKozicharow, Nicola$4edt
700 1 $aHardiman, Louise$4edt
700 1 $aKozicharow, Nicola$4oth
700 1 $aHardiman, Louise$4oth
245 10 $aModernism and the Spiritual in Russian Art : New Perspectives
260 $bOpen Book Publishers$c2017
300 $a1 electronic resource (318 p.)
506 0 $aOpen Access$2star$fUnrestricted online access
520 $a"In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.
Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions."
540 $aCreative Commons$fby/4.0/$2cc$4http://creativecommons.org/licenses/by/4.0/
546 $aEnglish
650 7 $aTheory of art$2bicssc
650 7 $aPainting & paintings$2bicssc
650 7 $aArt treatments & subjects$2bicssc
653 $arussia
653 $aart
653 $aspirituality
653 $amodernism
653 $areligion
653 $ahistory of art
653 $aIcon
653 $aMoscow
653 $aWassily Kandinsky
856 40 $awww.oapen.org$uhttps://library.oapen.org/bitstream/id/3c8ba8ee-9d35-4ccb-9165-b8795ddb0f97/641878.pdf$70$zOAPEN Library: download the publication
856 40 $awww.oapen.org$uhttp://library.oapen.org/handle/20.500.12657/30822$70$zOAPEN Library: description of the publication