| Record ID | marc_nuls/NULS_PHC_180925.mrc:92261606:1866 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:92261606:1866?format=raw |
LEADER: 01866cam 2200397 a 4500
001 9920763450001661
005 20150423131531.0
008 110420s2011 miu b s001 0 eng
010 $a 2011014824
016 7 $a015847257$2Uk
020 $a9780472117819 (cloth : alk. paper)
020 $a0472117815 (cloth : alk. paper)
035 $a(CSdNU)u481808-01national_inst
035 $a(OCoLC)687681373
035 $a(OCoLC)687681373
040 $aDLC$beng$cDLC$dBTCTA$dERASA$dYDXCP$dBWX$dUKMGB$dYHM$dCDX$dC#P$dBDX
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN4151$b.H64 2011
082 00 $a811$222
100 1 $aHoffman, Tyler.
245 10 $aAmerican poetry in performance :$bfrom Walt Whitman to hip hop / $cTyler Hoffman.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2011.
300 $a271 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Walt Whitman "live": performing the public sphere -- The ordeal of Vachel Lindsay, or the cultural politics of the spoken word -- "The Black man speaks": Langston Hughes, the new Negro, and the sounds of citizenship -- Beat acoustics, presence, and resistance -- "Rappin' and readin'": the frequencies of the Black arts -- Slam nation: immediacy, mediatization, and the counterpublic sphere.
650 0 $aPerformance poetry$zUnited States$xHistory and criticism.
650 0 $aOral interpretation of poetry.
650 0 $aAmerican poetry$xHistory and criticism.
650 0 $aAmerican poetry$xAfrican American authors$xHistory and criticism.
650 0 $aPoetry slams$zUnited States$xHistory.
947 $fHUMANITIES$hCIRCSTACKS$p$38.70$q1
949 $aPN4151 .H64 2011$i31786102844385
994 $a92$bCNU
999 $aPN 4151 .H64 2011$wLC$c1$i31786102844385$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u4/11/2012