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MARC Record from marc_nuls

Record ID marc_nuls/NULS_PHC_180925.mrc:49020850:2642
Source marc_nuls
Download Link /show-records/marc_nuls/NULS_PHC_180925.mrc:49020850:2642?format=raw

LEADER: 02642cam 2200361Ia 4500
001 9919340440001661
005 20150423115743.0
008 110402s2011 wlk b 001 0 eng d
020 $a9780708323458 (hbk.)
020 $a0708323456 (hbk.)
020 $a9780708324028 (pbk.)
020 $a0708324029 (pbk.)
035 $a(CSdNU)u468202-01national_inst
035 $a(OCoLC)711051021
035 $a(OCoLC)711051021
035 $a(OCoLC)711051021
040 $aBTCTA$beng$cBTCTA$dYDXCP$dBWK$dBWX$dSTF$dMIA$dGUA$dVP@$dCDX$dMUU$dCNU
049 $aCNUM
050 4 $aPS3561.I483$bZ872 2011
082 04 $a813.54$222
100 1 $aSears, John.
245 10 $aStephen King's gothic /$cJohn Sears.
260 $aCardiff, Wales :$bUniversity of Wales Press,$c2011.
300 $aviii, 261 p. ;$c23 cm.
440 0 $aGothic literary studies
504 $aIncludes bibliographical references (p. [241]-250) and index.
505 0 $aRereading Stephen King's Gothic -- Carrie's Gothic script -- Disinterring, doubling: King and traditions -- Genre's Gothic machinery -- Misery's Gothic tropes -- Gothic time in 'The Langoliers' -- 'This Inhuman Place': King's Gothic places -- Facing Gothic monstrocity -- Conclusion: King's Gothic endings.
520 $a"Stephen King's Gothic reassesses this major contemporary Gothic writer through close and detailed readings of key works ranging from his earliest writings (Carrie, 'Salem's Lot, the Shining) to such recent novels as Duma Kay. Informed by and extensively applying concepts deriving from contemporary literary and cultural theory, and engaging closely throughout with King's texts and with his comments in his own critical writings and interviews, John Sears argues that King's particular revisions of major Gothic themes, writings and traditions can best be understood as being closely related to his recurrent concerns with the act and products of writing itself. These concerns, Sears suggests, are detectable throughout King's oeuvre and are structural to his Gothic vision. Key themes addressed include Gothic traditions and their connections to such related genres as science fiction, Gothic representations of time, space, and place, Gothic monstrosity, and the constitution (in King's versions of it) of Gothic writing itself." --P [4] of cover.
600 10 $aKing, Stephen,$d1947-$xCriticism and interpretation.
650 0 $aGothic fiction (Literary genre), American$xHistory and criticism.
650 0 $aHorror tales, American$xHistory and criticism.
994 $aC0$bCNU
999 $aPS 3561 .I483 Z872 2011$wLC$c1$i31786102538201$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u11/2/2011