MARC Record from marc_nuls

LEADER: 02283cam 22004334a 4500
001 9919268780001661
005 20150423115122.0
008 070618s2008 enkag b 001 0 eng
010 $a 2007025321
015 $aGBA808383$2bnb
016 7 $a014499756$2Uk
020 $a9780195309461
020 $a0195309464
035 $a(CSdNU)u331202-01national_inst
035 $a(OCoLC)145379821
035 $a(OCoLC)145379821
035 $a(OCoLC)145379821
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dUKM$dC#P$dBWX$dCDX$dOrLoB-B
043 $ae------$an-us---
049 $aCNUM
050 00 $aML3470$b.S38 2008
082 00 $a781.6409/034$222
100 1 $aScott, Derek B.
245 10 $aSounds of the metropolis :$bthe nineteenth-century popular music revolution in London, New York, Paris, and Vienna /$cDerek B. Scott.
260 $aOxford ;$aNew York :$bOxford University Press,$c2008.
300 $aviii, 304 p. :$bill., music ;$c24 cm.
504 $aIncludes bibliographical references (p. 269-287) and index.
505 0 $aPt. I. The Social Context of the Popular Music Revolution -- 1. Professionalism and Commercialism -- 2. New Markets for Cultural Goods -- 3. Music, Morals, and Social Order -- 4. The Rift between Art and Entertainment -- Pt. II. Studies of Revolutionary Popular Genres -- 5. A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz -- 6. Blackface Minstrels, Black Minstrels, and Their European Reception -- 7. The Music Hall Cockney: Flesh and Blood, or Replicant? -- 8. No Smoke without Water: The Incoherent Message of Montmartre Cabaret.
650 0 $aPopular music$zEurope$yTo 1901$xHistory and criticism.
650 0 $aPopular music$zNew York (State)$zNew York$yTo 1901$xHistory and criticism.
938 $aYBP Library Services$bYANK$n2734860
938 $aBaker & Taylor$bBKTY$c39.95$d39.95$i0195309464$n0007469525$sactive
938 $aBaker and Taylor$bBTCP$n2007025321
938 $aBlackwell Book Service$bBBUS$nR0722521$c$39.95
938 $aCoutts Information Services$bCOUT$n6021266
947 $fCOLS-HUM$hCIRCSTACKS$p$34.36$q1
949 $aML 3470 .S38 2008$i31786102429054
994 $a92$bCNU
999 $aML 3470 .S38 2008$wLC$c1$i31786102429054$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u8/27/2008