MARC Record from marc_nuls

LEADER: 03335cam 22004214a 4500
001 9920274910001661
005 20150423125220.0
008 011017s2002 enka b 001 0 eng
010 $a 2001052671
015 $aGBA2-Y5105
019 $a49205258$a51527929$a51528705
020 $a0521663202
020 $a0521663881 (pb.)
029 1 $aUKM$bbA2Y5105
029 1 $aUKM$bbA309595
029 1 $aUKM$bbA308964
035 $a(CSdNU)u241211-01national_inst
035 $a(OCoLC)48223508
035 $a(OCoLC)48223508
040 $aDLC$cDLC$dYDX$dUKM$dUBY$dIUL$dIOJ$dOCLCQ$dWSL
042 $apcc
049 $aCNUM
050 00 $aML3506$b.C29 2002
082 00 $a781.65$221
245 04 $aThe Cambridge companion to jazz /$cedited by Mervyn Cooke and David Horn.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2002.
300 $axxii, 403 p. :$bill. ;$c26 cm.
440 0 $aCambridge companions to music
504 $aIncludes bibliographical references (p. 357-376) and index.
505 00 $gpt. 1$tA brief chronology of jazz --$tThe word 'jazz' /$rKrin Gabbard --$tJazz times.$tThe identity of jazz /$rDavid Horn --$tThe jazz diaspora /$rBruce Johnson --$tThe jazz audience /$rJed Resula --$tJazz and dance /$rRobert P. Crease. pt. 2$tJazz practices.$gJazz as musical practice / $rTravis A. Jackson --$tJazz as cultural practice /$rBruce Johnson --$tJazz improvisation /$rIngrid Monson --$tSpontaneity and organisation /$rPeter J. Martin --$tJazz among the classics, and the case of Duke Ellington /$rMervyn Cooke. -- pt. 3.$tJazz changes.$g1959, the beginning of beyond /$rDarius Brubeck --$tFree jazz and the avant-garde /$rJeff Pressing --$tFusions and crossovers /$rStuart Nicholson. -- pt. 4.$tJazz soundings.$gLearning jazz, teaching jazz /$rDavid Ake --$tHistory, myth, and legend: the problem of early jazz /$rDavid Sagar --$tAnalysing jazz /$rThomas Owens. -- pt. 5.$tJazz takes. $gValuing jazz /$rRobert Walser --$tThe jazz market /$rDave Laing --$tImages of jazz /$rKrin Gabbard.
520 8 $aNotes -- Works cited -- Principal musicians cited -- Index.
520 $aPublisher's description: The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory, a multi-disciplinary endeavour, drawing in critical perspectives from social and cultural history to music analysis, from economics to ethnography. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented.
650 0 $aJazz$xHistory and criticism.
700 1 $aCooke, Mervyn.
700 1 $aHorn, David,$d1942-
949 $aML 3506 .C29 2002$i31786101905369
994 $a92$bCNU
999 $aML 3506 .C29 2002$wLC$c1$i31786101905369$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u3/1/2005