MARC Record from marc_nuls

LEADER: 04658cam 2200325 a 4500
001 9921687470001661
005 20181121112354.0
008 990422s1999 nyua 001 0deng
010 $a 99031104
020 $a0375406603 (hc.)
035 $a(CSdNU)u87558-01national_inst
035 $a(Sirsi) l99031104
035 $a(Sirsi) l99031104
035 $a(Sirsi) 01-AAK-7754
035 $a 99031104
040 $aDLC$cDLC$dDLC$dOrPss
043 $an-us---
050 4 $aPN1998.3.W56$bA5 1999
100 1 $aWilder, Billy,$d1906-2002
245 10 $aConversations with Wilder /$cby Cameron Crowe.
250 $a1st ed.
260 $aNew York :$bKnopf :$bDistributed by Random House,$c1999.
300 $axix, 373 p. :$bill. ;$c27 cm.
500 $aIncludes indexes.
505 0 $aJack Lemmon and George Cukor -- Final scene of Some Like It Hot -- "Cary Grant slipped through my net every time" -- On Spielberg and Kubrick -- "Mr. Goldwyn knew what was working" -- Charles Boyer and the cockroach -- Dancing in Berlin -- "Laughton was everything that you can dream of, times ten" -- The "Lubitsch touch" -- Marilyn Monroe -- Collaborating with Charles Brackett and I. A. L. Diamond -- William Holden for Sunset Boulevard -- Double Indemnity -- "You dig?" Audrey Hepburn -- "It was a picture that looked like a newsreel" -- "Fritz Lang told me, 'Look for the good shooters'" -- The broken compact mirror -- Thonet furniture and art direction in The Apartment -- Shooting in black-and-white -- Dietrich lit herself -- On not losing the straight line -- Jean Arthur -- A Foreign Affair -- "Dietrich would do anything that I wanted her to do" -- The look -- Ace in the Hole -- "You can never predict an audience's reaction" -- The Seven Year Itch -- Lindbergh and The Spirit of St. Louis -- Gary Cooper -- "I don't shoot elegant pictures" -- Dirty men and Stalag 17 -- "When I write, I'd like to direct. When I direct, I'd like to write" -- The ghost of Sunset Boulevard hung over Fedora -- "I'm a company man" -- Voice-overs -- "There are no rules" -- Romantic comedies -- "Jack Lemmon was my Everyman" -- First love -- The Fortune Cookie -- Mother at Auschwitz -- "I never introduce anybody to an agent" -- Children -- Jean Renoir and Fellini -- "Print number one" -- Picasso and Freud -- "Make it true, make it seem true" -- Leading men and leading ladies -- "You are attracted to something which is on the screen only" -- Love in the Afternoon -- "I never raise my voice on the second or third take" -- Close-ups -- Witness for the Prosecution -- Charles Laughton -- Dean Martin -- Some Like It Hot -- "I never knew what Marilyn was going to do" -- One Two Three -- Cagney -- "Overall, audiences are much smarter than what they are getting" -- Fleeing Berlin for Paris after the Reichstag fire -- "Mom was a good cook" -- Reflection in the monocle -- "Capra hit the times right on the head" -- Preston Sturges in the Cafe Alexandre -- Howard Hawks and Ball of Fire -- Barbara Stanwyck dancing "Drum Boogie" -- A script on scratch paper -- Writing for other directors -- Final shot of Ace in the Hole -- "I never put much camera direction into the screenplays" -- Marx Brothers -- Mars and time capsules -- Scoring a film -- Shooting at the Hotel del Coronado -- Givenchy for Audrey Hepburn -- Drag in Some Like It Hot -- "We have sold out to the guys making special effects" -- Newspapermen in Vienna and Berlin -- Ghostwriting for movies -- Ginger Rogers -- Avanti! -- "I always need a plot" -- Jazz in Berlin -- "I write with the camera, but not too much" -- The Front Page -- Pauline Kael -- "Famous 'lost sequences'" -- Woody Allen -- Hiding the plot point -- Roommate Peter Lorre at the Chateau Marmont -- Five Graves to Cairo -- "Pictures were made to play for a week" -- The Lost Weekend -- John Barry-more -- Wilder's women -- "I'm at my best writing against my mood" -- Working with I. A. L. Diamond -- Good sentimentality -- The small movie -- Exercising with Billy -- Salinger and Catcher in the Rye -- Lubitsch and Ninotchka -- "We made fifty pictures a year then. But we wrote a hundred and fifty" -- "I don't make cinema, I make movies" -- Monday Night Football at the Wilders' -- Erotikon -- "I am mostly a writer" -- Timing and casting -- "Lubitsch did it better" -- The Movies -- Miscellany.
600 10 $aWilder, Billy,$d1906-2002$vInterviews.
650 0 $aMotion picture producers and directors$zUnited States$vInterviews.
700 1 $aCrowe, Cameron,$d1957-
948 $a10/13/2000$b11/22/2000
999 $aPN 1998.3 W56 A5 1999$wLC$c1$i31786101251566$d10/3/2006$e8/9/2006$f7/14/2004$g1$lCIRCSTACKS$mNULS$n2$rY$sY$tBOOK$u11/22/2000