| Record ID | marc_nuls/NULS_PHC_180925.mrc:215633261:1942 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:215633261:1942?format=raw |
LEADER: 01942cam 2200409 a 4500
001 9921561110001661
005 20150423135208.0
008 111017s2012 enka b 001 0 eng
010 $a 2011041410
019 $a767563946$a769545886
020 $a9781405145947 (hardback : alk. paper)
020 $a1405145943 (hardback : alk. paper)
020 $a9781405145954 (pbk. : alk. paper)
020 $a1405145951 (pbk. : alk. paper)
035 $a(CSdNU)u520971-01national_inst
035 $a(OCoLC)191811136
035 $a(OCoLC)191811136
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dERASA$dBDX$dCDX$dUKMGB$dBWX$dCOO $dSTF$dA7U
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN1995.9.F54$bL84 2012
082 00 $a791.43/6556$223
100 1 $aLuhr, William.
245 10 $aFilm noir /$cWilliam Luhr.
260 $aChichester, West Sussex ;$aMalden, MA :$bWiley-Blackwell,$c2012.
300 $axiv, 232 p. :$bill. ;$c24 cm.
490 1 $aNew approaches to film genre
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Historical overview -- Critical overview -- Murder my sweet -- Out of the past -- Kiss me deadly -- The long goodbye -- Chinatown -- Seven : continuity with film noir -- Afterword.
520 $a"Film noir" refers to a particular cinematic style: a way of lighting, of positioning and moving the camera, the use of an introspective, voice-over narration, reliance on flashbacks that drive the narrative, and a choice of settings: usually a seedy, urban landscape, a world gone wrong.
650 0 $aFilm noir$zUnited States$xHistory and criticism.
830 0 $aNew approaches to film genre.
947 $fHUMANITIES$hCIRCSTACKS$p$80.80$q1
949 $aPN1995.9.F54 L84 2012$i31786102853782
994 $a92$bCNU
999 $aPN 1995.9 .F54 L84 2012$wLC$c1$i31786102853782$d9/30/2013$e9/3/2013 $lCIRCSTACKS$mNULS$n2$rY$sY$tBOOK$u5/8/2013