| Record ID | marc_nuls/NULS_PHC_180925.mrc:189637957:1859 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:189637957:1859?format=raw |
LEADER: 01859cam 2200397 a 4500
001 9919836520001661
005 20150423123036.0
008 080424s2008 nyu b 001 0deng
010 $a 2008018737
020 $a9780826428066 (hbk. : alk. paper)
020 $a0826428061 (hbk. : alk. paper)
035 $a(CSdNU)u330923-01national_inst
035 $a(OCoLC)227002091
035 $a(OCoLC)227002091
035 $a(OCoLC)227002091
040 $aDLC$cDLC$dBAKER$dC#P$dBTCTA$dYDXCP$dBWX$dCDX$dOrLoB-B
049 $aCNUM
050 00 $aPN1998.3.G63$bD73 2008
082 00 $a791.4302/33092$222
100 1 $aDrabinski, John E.,$d1968-
245 10 $aGodard between identity and difference /$cJohn E. Drabinski.
260 $aNew York :$bContinuum,$c2008.
300 $axiii, 159 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. 147-151) and index.
505 0 $aIntroduction. Cinema as a Kind of Philosophy -- Ch. 1. The Other on Loan: Two or Three Things I Know about Her -- Ch. 2. Dead Time and the Image in Ici et ailleurs -- Ch. 3. The Cinematic Empiricism of Comment ca va? -- Ch. 4. Second, Third: Numero Deux -- Ch. 5. Histoire(s) of Memory.
600 10 $aGodard, Jean-Luc,$d1930-$xCriticism and interpretation.
650 0 $aMotion picture producers and directors$zFrance$vBiography.
938 $aBaker & Taylor$bBKTY$c100.00$d100.00$i0826428061$n0007536321$sactive
938 $aBaker and Taylor$bBTCP$n2008018737
938 $aYBP Library Services$bYANK$n2780484
938 $aBlackwell Book Service$bBBUS$nR8719709$c$100.00
938 $aCoutts Information Services$bCOUT$n6602355$c50.00 GBP
947 $fCOLS-LIT$hCIRCSTACKS$p$86.00$q1
949 $aPN 1998.3.G63 D73 2008$i31786102426985
994 $a92$bCNU
999 $aPN 1998.3 .G63 D73 2008$wLC$c1$i31786102426985$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u8/18/2008