MARC Record from marc_nuls

LEADER: 01796cam 2200361 a 4500
001 9920457410001661
005 20150423130127.0
008 951016s1996 ncua b 001 0 eng
010 $a 95045942
020 $a0822317486 (pa : alk. paper)
020 $a0822317516 (cl : alk. paper)
035 $a(CSdNU)u53370-01national_inst
035 $a(OCoLC)33407094
035 $a(Sirsi) 01-AAF-7125
040 $aDLC$cDLC$dOCL
049 $aCNUM
050 00 $aPN1995.9.W6$bR52 1996
100 1 $aRobertson, Pamela,$d1964-
245 10 $aGuilty pleasures :$bfeminist camp from Mae West to Madonna /$cPamela Robertson.
260 $aDurham :$bDuke University Press,$c1996.
300 $aix, 195 p. :$bill. ;$c24 cm.
500 $aOriginally presented as the author's thesis (Ph. D.--University of Chicago).
504 $aIncludes bibliographical references (p. [175]-187) and index.
505 0 $a"The kinda comedy where they initate me": Mae West's identification with the feminist camp -- What Trixie and god know: feminist camp in Gold Diggers of 1933 -- Camping under western stars: Joan Crawford in Johnny Guitar -- Does feminist camp make a difference? or, what we talk about when we talk about Madonna -- The queens are dead, long live the queens.
600 10 $aWest, Mae$xCriticism and interpretation.
600 10 $aCrawford, Joan,$d1908-1977$xCriticism and interpretation.
600 00 $aMadonna,$d1958- $xCriticism and interpretation.
650 0 $aWomen in motion pictures.
650 0 $aFeminism and motion pictures.
650 0 $aSelf-presentation.
650 0 $aImpersonation.
948 $a10/13/1999$b10/13/1999
999 $aPN 1995.9 W6 R52 1996$wLC$c1$i31786100799128$d11/18/2010$e9/28/2010 $f7/15/2004$g1$lCIRCSTACKS$mNULS$n4$rY$sY$tBOOK$u10/3/1996$o.STAFF. Pieces: 00001