| Record ID | marc_nuls/NULS_PHC_180925.mrc:160344869:1990 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:160344869:1990?format=raw |
LEADER: 01990cam 2200325Ia 4500
001 9920039750001661
005 20150423113457.0
008 061030s2007 caua 001 0 eng
020 $a032144017X (pbk.)
020 $a9780321440174 (pbk.)
035 $a(CSdNU)u291197-01national_inst
035 $a(OCoLC)74966731
035 $a(OCoLC)74966731
035 $a(OCoLC)74966731
040 $aUKM$cUKM$dBAKER$dZS3$dOCLCQ$dYDXCP$dOrLoB-B
049 $aCNUM
050 14 $aT385$b.M36365 2007
082 04 $a006.686$222
100 1 $aMargulis, Dan,$d1951-
245 10 $aProfessional Photoshop :$bthe classic guide to color correction / $cDan Margulis.
250 $a5th ed.
260 $aBerkeley, Calif. :$bPeachpit Press,$cc2007.
300 $axvi, 512 p. :$bcol. ill. ;$c26 cm. +$e1 CD-ROM.
500 $aIncludes index.
505 0 $a1. Color, contrast, and channels -- 2. The steeper the curve, the more the contrast -- 3. Color by the numbers -- 4. Color, contrast, canyons, and LAB -- 5. The key is the K -- 6. Sharpening with a stiletto -- 7. Keeping the color in black and white -- 8. Keeping the black and white in color -- 9. Inferences, illusions, and when to bet the image -- 10. Every file has ten channels -- 11. Making things look alike -- 12. Managing color settings -- 13. Politics, printing, and the science of the skosh -- 14. Resolution for the multimegapixel era -- 15. The art of the false profile -- 16. What comes around, goes around -- 17. Blurs, masks, and safety in sharpening -- 18. Overlays, hiraloam, and shadow/highlight -- 19. Color, contrast, and safety in masking -- 20. There are no bad originals.
630 00 $aAdobe Photoshop.
650 0 $aColor computer graphics.
994 $aC0$bCNU
999 $aT 385 .M36365 2007$wLC$c1$i31786102096614$d9/9/2013$e9/9/2013 $kCHECKEDOUT$lCIRCSTACKS$mNULS$q1$rY$sY$tBOOK$u2/13/2007
999 $aT 385 .M36365 2007 CD$wLC$c1$i31786102484596$d9/9/2013$e9/9/2013 $kMISSING$lMULTIMEDIA$mNULS$rM$sY$tCD-ROM$u2/15/2007