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MARC Record from marc_nuls

Record ID marc_nuls/NULS_PHC_180925.mrc:15512651:4559
Source marc_nuls
Download Link /show-records/marc_nuls/NULS_PHC_180925.mrc:15512651:4559?format=raw

LEADER: 04559cam 22003134a 4500
001 9922122880001661
005 20150423142428.0
008 000906s2000 nyua b 001 0 eng
010 $a 00046943
020 $a0198174136
035 $a(CSdNU)u97136-01national_inst
035 $a(Sirsi) l00046943
035 $a(Sirsi) l00046943
035 $a(Sirsi) 01-AAM-1460
035 $a 00046943
040 $aDLC$cDLC$dDLC$dOrPss
042 $apcc
050 00 $aN 6797 N37$bA35 2000
100 1 $aNash, Paul,$d1889-1946.
245 10 $aPaul Nash :$bwritings on art /$cselected, with an introduction by Andrew Causey.
260 $aOxford ;$aNew York :$bOxford University Press,$c2000.
300 $a174 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [165]-170) and index.
505 0 $aEarly Writing -- Contemporary Art -- Art and Design -- Unit One -- English Landscapes -- Surrealism -- Farewell -- Paul Nash's Writings -- 'The Artist and the Public I. Harold Gilman and the Groups'. New Witness, 25 April 1919 (1) -- 'The Artist and the Public III. The Arts League of Service'. New Witness, 23 May 1919 (4) -- 'An English Ballet'. New Witness, 11 July 1919 (8) -- 'The French Exhibition at the Mansard Gallery'. New Witness, 22 August 1919 (11) -- 'A Loss to English Art'. New Witness, 14 November 1919 (15) -- 'Modern English Textiles'. Artwork, January-March 1926 (23) -- 'Woodcut Patterns'. The Woodcut: An Annual, no. 1, 1927 (24) -- 'Modern English Furnishing'. Architectural Review, January 1930 (26) -- 'Giorgio de Chirico'. The Listener, 29 April 1931 (32) -- 'Contemporary American Painting'. The Listener, 4 November 1931 (38) -- 'Art and Photography'. The Listener, 18 November 1931 (40) -- 'Nature, Life and Art'. Week-end Review, 5 December 1931 (41) -- 'The Artist and the Community'. The Listener, 20 January 1932 (46) -- 'The Pictorial Subject'. The Listener, 17 February 1932 (47) -- 'The Artist in the House'. The Listener, 16 March 1932 (50) -- 'Modern English Textiles I'. The Listener, 27 April 1932 (52) -- 'The Meaning of "Modern"'. Week-end Review, 16 July 1932 (58) -- 'Photography and Modern Art'. The Listener, 27 July 1932 (59) -- 'Abstract Art', The Listener, 17 August 1932 (60) -- 'The Artist and Industry', Week-end Review, 24 September 1932 (62) -- 'A Painter and a Sculptor', Week-end Review, 19 November 1932 (63) -- Room and Book, Soncino Press, 1932 (64) -- 'Nature and Art'. Letter to The Times, 19 May 1933 (68) -- '"Unit One": A New Group of Artists'. Letter to The Times, 12 June 1933 (69) -- 'A New Force in Art: What Unit One Stands For', The Observer, 18 June 1933 (70) -- 'Art and the English Press'. Week-end Review, 17 June 1933 (71) -- 'The Art of Picasso'. Letter to The Listener, 21 June 1933 (72) -- 'Unit One'. The Listener, 5 July 1933 (73) -- 'Unit One'. Letter to The Observer, 22 April 1934 (74) -- Contribution to Unit One, ed. Herbert Read, 1934 (77) -- 'For, But Not With'. Axis, January 1935 (78) -- 'Art and Industry: The Royal Academy Exhibition'. Letter to The Times, 18 February 1935 (79) -- 'Ben Nicholson's Carved Reliefs'. Architectural Review, October 1935 (81) -- Dorset Shell Guide. Architectural Press [1936] (83) -- 'Swanage or Seaside Surrealism'. Architectural Review, April 1936 (84) -- 'The Object'. Architectural Review, November 1936 (88) -- 'Surrealism and the Illustrated Book'. Signature, 5 March 1937 (90) -- 'A Characteristic'. Architectural Record, March 1937 (91) -- 'The Life of the Inanimate Object'. Country Life, 1 May 1937 (92) -- 'A New Poetry', News Chronicle. 7 June 1937 (93) -- 'Watercolours, Drawings, Collages, Objects by Paul Nash'. Catalogue introduction, Redfern Gallery, 1937 (94) -- 'The Nest of the Wild Stones'. In The Painter's Object, ed. Myfanwy Evans, 1937 (95) -- 'Unseen Landscapes'. Country Life, 21 May 1938 (96) -- 'The Giant's Stride'. Architectural Review, September 1939 (101) -- 'Monster Field' [1939]. Counterpoint Publications, Oxford, 1946 (102) -- 'Bombers' Lair' [c.1942]. In Outline, 1949 (105) -- 'Stones' [1944?], unpublished manuscript (109) -- 'Aerial Flowers', Counterpoint, 1, 1945, reprinted Counterpoint Publications, Oxford, 1947 (111) -- 'Notes on the Picture Called Farewell', Transformation, 3 [1945] (112).
600 10 $aNash, Paul,$d1889-1946$xWritten works.
650 0 $aArt, Modern$y20th century.
700 1 $aCausey, Andrew.
948 $a08/10/2001$b10/02/2001
999 $aN 6797 N37 A35 2000$wLC$c1$i31786101470174$d8/6/2004$f8/6/2004$g1 $lCIRCSTACKS$mNULS$rY$sY$tBOOK$u10/2/2001