| Record ID | marc_miami_univ_ohio/allbibs0180.out:358492:1481 |
| Source | Miami University of Ohio |
| Download Link | /show-records/marc_miami_univ_ohio/allbibs0180.out:358492:1481?format=raw |
LEADER: 01481cam 22002778a 45 0
001 ocm56647146
005 20050803111311.0
008 040714s2004 enka f b 001 0 eng
020 $a1873132395 (hbk.)
040 $aUKM$cUKM$dEMU
049 $aMIAH$aOMMM
050 4 $aND1650$b.E35 2004
100 1 $aEikema Hommes, Margriet van,$d1969-
245 10 $aChanging pictures :$bdiscoloration in 15th-17th-century oil paintings /$cMargriet van Eikema Hommes
260 $aLondon :$bArchetype,$c2004
300 $axii, 263 p. :$bill. ;$c25 cm
504 $aIncludes bibliographical references and index
505 0 $aDetermining the intentions of painting methods and recipes -- Methods used by painters to prevent colour changes described in 16th to early 18th century sources on oil painting -- Verdigris glazes in historical oil paintings: recipes and techniques -- Indigo as a pigment in oil painting and its fading problems -- Discoloratin or chiaroscuro? an interpretation of the dark areas in Raphael's Transfiguration of Christ
650 0 $aPigments$xPreservation
650 0 $aPainting, Renaissance$xConservation and restoration
650 0 $aPaint$xHistory
907 $a.b33694643$b03-14-07$c08-03-05
998 $aaal$amdl$b08-31-05$cm$da$e-$feng$genk$h0$i2
947 $aupd ma
945 $g1$i35054029005697$j0$laali $o-$p$105.85$q-$r-$s-$t0$u1$v1$w0$x0$y.i42768883$z08-30-05
945 $g1$i35054029022056$j0$lmdli $o-$p$0.00$q-$r-$s-$t0$u0$v0$w0$x0$y.i44370702$z03-14-07