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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:45759259:4343
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:45759259:4343?format=raw

LEADER: 04343cam a22010091i 4500
001 ocm00665722
003 OCoLC
005 20191109071206.3
008 711020s1965 nyuab b 000 0 eng
010 $a 65005600
040 $aDLC$beng$cDLC$dUBA$dMUQ$dMYG$dUKM$dBTCTA$dOCLCG$dCRU$dMLN$dMOZ$dWTU$dUUS$dHEBIS$dOG#$dBDX$dYDXCP$dOCLCF$dOCLCQ$dOCL$dOCLCQ$dPHUST$dOCLCO$dICN$dNLC$dOCLCO$dRCE$dOCL$dOCLCQ$dOCLCO$dTYC$dOCLCQ$dORU$dOCLCA$dBZM$dOCLCQ$dCSO$dCPO$dCPS$dOCLCO$dXFF$dOCLCO$dOCLCQ$dOCLCO$dAU@$dOCLCO$dOCLCQ$dOCLCO$dOCLCA$dDCHUA$dOCLCO$dCBA$dOCLCO$dDKC$dOCLCO$dWURST$dOCLCO$dOCLCQ$dBUF$dOCLCQ$dOCLCO
015 $aGB6511096$2bnb
016 $a(AMICUS)000001418573
019 $a10285473$a1119087702
020 $a0807602892
020 $a9780807602898
029 1 $aAU@$b000000648640
029 1 $aAU@$b000021606073
029 1 $aAU@$b000023057735
029 1 $aAU@$b000057707710
029 1 $aHEBIS$b111668506
029 1 $aNLC$b000001418573
029 1 $aNLGGC$b781961467
029 1 $aNZ1$b2806309
029 1 $aUKBCI$b053842081
029 1 $aUKBNS$b053842081
029 1 $aUKSCO$b053842081
029 1 $aUKSGC$b053842081
029 1 $aUKSOM$b053842081
029 1 $aUNITY$b050677837
029 1 $aUNITY$b053842081
029 1 $aZWZ$b015498158
035 $a(OCoLC)00665722$z(OCoLC)10285473$z(OCoLC)1119087702
050 00 $aN7443$b.N38 1965
055 1 $aN7443.K4
082 00 $a701
084 $a20.05$2bcl
049 $aMAIN
245 04 $aThe nature and art of motion /$cedited by Gyorgy Kepes.
246 1 $iTitle from half-title page:$aMotion
260 $aNew York :$bG. Braziller,$c©1965.
300 $axi, 195 pages :$billustrations, maps ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aVision + value series
504 $aIncludes bibliographical references.
505 00 $tIntroduction /$rGyorgy Kepes --$tMotion images --$tScience and the deallegorization of motion /$rGerald Holton --$tArt and evolution /$rJames S. Ackerman --$tThe role of motion in our visual habits and artistic creation /$rGillo Dorfles --$tVisual perception of motion /$rHans Wallach --$tConstancy and invariance in perception /$rJames M. Gibson --$tOrientation, direction, cheirality, velocity and rhythm /$rStanley W. Hayter --$tThe morphology of movement : a study of kinetic art /$rGeorge Rickey --$tRecent kinetic art /$rKatharine Kuh --$tStructure and movement /$rKarl Gerstner --$tMy experience with movement in painting and in film /$rHans Richter --$tSeven faces of time : an aesthetic for cinema /$rRobert Gessner --$tStructure and continuity in exhibition design /$rGordon B. Washburn --$tMotion, sequence and the city /$rDonald Appleyard.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt.
650 0 $aMotion.
650 0 $aMotion in art.
650 2 $aGroup Processes.
650 2 $aSocial Work.
650 6 $aArt.
650 6 $aMouvement.
650 7 $aMotion in art$2fast$0(OCoLC)fst01027084
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aMotion.$2fast$0(OCoLC)fst01027064
650 7 $aWahrnehmung$2gnd
650 7 $aArchitekturtheorie$2gnd
650 7 $aArte (Historia)$2larpcal
650 7 $aArte (Critica)$2larpcal
650 7 $aArte (Teoria)$2larpcal
653 00 $aesthetische waarde
653 00 $aaesthetic value
653 00 $afilosofie
653 00 $aphilosophy
653 00 $akunst
653 00 $aarts
653 00 $areligie
653 00 $areligion
653 10 $aArts (General)
653 10 $aKunst (algemeen)
655 7 $aArt.$2fast$0(OCoLC)fst01423702
655 7 $aArt.$2lcgft
700 1 $aKepes, Gyorgy,$d1906-2001,$eeditor.
776 08 $iOnline version:$tNature and art of motion.$dNew York : G. Braziller, ©1965$w(OCoLC)606523272
776 08 $iOnline version:$tNature and art of motion.$dNew York : G. Braziller, ©1965$w(OCoLC)608490204
830 0 $aVision + value series.
856 42 $3French equivalent / Équivalent français$uhttps://bac-lac.on.worldcat.org/oclc/421630682
938 $aBrodart$bBROD$n20360665$c$12.50
938 $aBaker and Taylor$bBTCP$n65005600
938 $aYBP Library Services$bYANK$n7902085
994 $a92$bERR
976 $a31927001032090