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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:37596:3386
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:37596:3386?format=raw

LEADER: 03386cam a2200793 4500
001 ocm00000311
003 OCoLC
005 20191109072436.6
008 690328s1968 njua b 001 0 eng
010 $a 67031114
040 $aDLC$beng$cDLC$dNLGGC$dBTCTA$dLVB$dCOF$dIDJ$dDEBBG$dOG#$dOCLCF$dOCLCO$dOCLCQ$dTWS$dOCLCQ$dMNA$dOCLCO$dOCLCA$dOCL$dOCLCA$dOCLCQ$dCSJ$dOCLCO$dOCLCA$dOCLCQ$dKFH$dFQG$dCPO$dOCLCO$dOCLCQ$dBGU$dOCLCO$dXFF$dTYC$dUKMGB$dOCLCQ$dOCLCO$dCNO$dOCLCO$dDKC$dOCLCO$dOCLCQ$dOCLCO$dEUX$dOCLCA$dOCLCQ
016 7 $a013882120$2Uk
019 $a636024620
020 $a0691018308
020 $a9780691018300
020 $a069109716X
020 $a9780691097169
020 $a0710062370
020 $a9780710062376
029 1 $aAU@$b000000679635
029 1 $aAU@$b000048856067
029 1 $aDEBBG$bBV002952069
029 1 $aDEBSZ$b005121213
029 1 $aNZ1$b2707669
029 1 $aUKMGB$b013882120
035 $a(OCoLC)00000311$z(OCoLC)636024620
041 1 $aeng$hfre
050 00 $aN7832$b.G6613 1968
051 $aN7832$b.G6613 1968 Copy 3
082 00 $a704.9/482/0901$219
084 $a20.20$2bcl
084 $a20.63$2bcl
084 $aBO 1470$2rvk
084 $aBO 9650$2rvk
084 $aLH 82001$2rvk
049 $aMAIN
100 1 $aGrabar, André,$d1896-1990.
245 10 $aChristian iconography;$ba study of its origins.$c[Translated from French by Terry Grabar.
260 $aPrinceton, N.J.]$bPrinceton University Press$c[©1968]
300 $aL, 174, [203] pages$billustrations (some color)$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBollingen series, 35. The A.W. Mellon lectures in the fine arts, 10
504 $aIncludes bibliographical references (p. 149-158 (2d group) "Illustrations": pages 1-203 (3d group)).
505 0 $aThe first steps. -- The assimilation of contemporary imagery. -- The portrait. -- The historical scene. -- Dogmas expressed in a single image. -- Dogmas represented by juxtaposed images.
520 $aTo demonstrate how paleo-Christian images were created and what role they played alongside other forms of Christian piety in their day, Grabar explores the limits of originality in such art, and the influence of figurative art in the Roman Empire.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt, Early Christian.
650 0 $aChristian art and symbolism.
650 6 $aArt paléochrétien$xHistoire.
650 6 $aArt chrétien$xHistoire.
650 7 $aArt, Early Christian.$2fast$0(OCoLC)fst00816193
650 7 $aChristian art and symbolism.$2fast$0(OCoLC)fst00858904
650 7 $aChristliche Kunst$2gnd
650 7 $aFrühchristentum$2gnd
650 7 $aIkonographie$2gnd
650 7 $aKunst$2gnd
650 17 $aIconografie.$2gtt
650 17 $aChristelijke kunst.$2gtt
655 7 $aReference works.$2fast$0(OCoLC)fst01919963
655 7 $aReference works.$2lcgft
776 08 $iOnline version:$aGrabar, André, 1896-1990.$tChristian iconography.$dPrinceton, N.J. : Princeton University Press, ©1968$w(OCoLC)567916198
830 0 $aBollingen series ;$v35.
830 0 $aA.W. Mellon lectures in the fine arts ;$v10.
938 $aBaker and Taylor$bBTCP$n67031114
994 $a92$bERR
976 $a31927000434529