MARC Record from Marygrove College

LEADER: 04590cam a2200853 i 4500
001 ocn828721987
003 OCoLC
005 20191109072759.5
008 120625s2012 gw a b 001 0beng
010 $a 2012024761
040 $aDLC$beng$erda$cDLC$dYDX$dBDX$dYDXCP$dOHX$dGZM$dSMI$dBWX$dUKMGB$dIAD$dZCU$dVP@$dTTU$dIAK$dYUS$dTEU$dAZU$dK6U$dOCLCF$dCHVBK$dNYWWB$dS3O$dOCLCO$dCNGUL$dOCLCO$dVJM$dDDD$dOCLCA$dXFH$dOCLCA$dAQ3$dOCLCA$dOCLCQ$dOCLCO$dCCH$dOCLCA$dOCLCQ$dOCLCO$dOCLCA$dUOK$dOCLCA$dNYP$dCNCLB$dOCLCA$dOCL
015 $aGBB268180$2bnb
016 7 $a016123123$2Uk
019 $a798093592$a800654565$a829426371$a862633256$a965999217
020 $a9783791346502
020 $a3791346504
029 1 $aAU@$b000049578111
029 1 $aCHBIS$b009778274
029 1 $aCHVBK$b192775324
029 1 $aNZ1$b14719239
029 1 $aUNITY$b127647961
029 1 $aUKMGB$b016123123
035 $a(OCoLC)828721987$z(OCoLC)798093592$z(OCoLC)800654565$z(OCoLC)829426371$z(OCoLC)862633256$z(OCoLC)965999217
042 $apcc
043 $af-gh---
050 00 $aNB1099.G53$bA538 2012
060 4 $aNB 1099.G53$bV633 2012
072 7 $aN$2lcco
082 00 $a730.92$aB$223
084 $aJ305.445$2clc
084 $aK834.455.72=6$2clc
049 $aMAIN
100 1 $aVogel, Susan Mullin.
245 10 $aEl Anatsui :$bart and life /$cSusan Mullin Vogel.
264 1 $aMunich :$bPrestel,$c[2012]
300 $a175 pages :$bcolor illustrations ;$c32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 169-174) and index.
505 00 $tReaching Venice from Nsukka --$gLife.$tStarting in Ghana, living in Nigeria ;$tTraveling, searching, beyond Africa ;$tDiscovering metal sheets ;$tWorking in Nsukka ;$tEntering the global art world --$gArt.$tConcept and practice ;$tBottle-top hangings as an art form ;$tArt now : breaking apart, breaking free --$gChronology --$gExhibition history.
520 $aAn African artist who has garnered worldwide recognition while based permanently in Nigeria, El Anatsui is best known for shimmering tapestries made from liquor bottle tops, which are part of the permanent collections of many of the world's great museums. Author Susan M. Vogel, who worked closely with Anatsui while directing a documentary film about the artist, offers a uniquely personal perspective on Anatsui and provides the first penetrating study of his artworks. Accompanied by nearly 150 images, this book traces his lifelong exploration of media leading up to the bottle top art form that has captured the interest of the global art world. The book explores the artist's themes of loss, chaos, and decay, his Nigerian University intellectual community, and his creative studio practice. Vogel traces the intertwined threads of Anatsui's ideas, life, and art, from his youthful searching and desire to express Africa's history to today's work that can be immense and ethereal.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aAnatsui, El,$d1944-
600 10 $aAnatsui, El,$d1944-$xCriticism and interpretation.
600 17 $aAnatsui, El.$2cct
600 17 $aAnatsui, El$xCriticism and interpretation.$2cct
600 17 $aAnatsui, El,$d1944-$2fast$0(OCoLC)fst00300453
600 17 $aAnatsui, El$d1944-$2gnd
650 0 $aSculptors$zGhana$vBiography.
650 0 $aTapestry$zGhana.
650 0 $aSculpture, Ghanaian.
650 0 $aArt, Ghanaian.
650 7 $aSculptors$zGhana$vBiography.$2cct
650 7 $aSculptors.$2fast$0(OCoLC)fst01109473
651 7 $aGhana.$2fast$0(OCoLC)fst01208741
650 7 $aInstallation$gKunst$2gnd
650 7 $aPlastik$2gnd
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 12 $aAnatsui, El,$d1944-$tWorks.$kSelections.
856 42 $3Book review (H-Net)$uhttp://www.h-net.org/reviews/showrev.php?id=38755
856 42 $uhttp://www.octobergallery.co.uk/artists/anatsui/index.shtml
856 42 $uhttp://elanatsui.com/
856 42 $uhttp://www.blouinartinfo.com/news/story/1207237/video-guide-to-the-masters-el-anatsui#
938 $aBrodart$bBROD$n103038663
938 $aOtto Harrassowitz$bHARR$nhar120118963
938 $aWorldwide Books$bWWBK$n150250
938 $aYBP Library Services$bYANK$n7615852
938 $aBlackwell Book Service$bBBUS$n7615852
994 $a92$bERR
976 $a31927002093943